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Tuesday, November 18, 2008
Christian Book Reviews Postulates Book of the Year
By Robert W. Kellemen, and Karole Edwards.
Baker Books, Grand Rapids, 2007
Web Site: www.rpmministries.org
Genre: Non-Fiction, History, Church History, Black Church History, Soul Care, Christian Counseling, Spiritual Direction
Reviewed by Donna Eggett for Christian Book Previews
This may well be the book of the year! Engrossing, important, well researched, deeply biblical - what more can I say? Presenting imperative Christian nurturing, vividly illustrated by significant, scripture-based, lifesaving lessons gleaned from some of our most downtrodden Americans, Beyond the Suffering provides essential truths for all Americans, no matter race, creed, or history. Let's extend the arena -the rest of the world will profit from this heart/mind/spirit catching book.
Written for the express purpose of showing how Christ snatches triumphs from the jaws of defeat and transforming victims into victors, Beyond the Suffering is based on documents, biographies, and quotations from American slaves who learned that when absolutely everything else fails Christ is present, real, loving, in control. The format revolves around ministries which help hurting and hardened people. The examples used are shocking, horrifying, uplifting, always pointing to Christ. A term found often throughout these pages is 'Soul Physician' - one who, from the depth of their own terrible yet wondrous experiences, helps others to reach out of their own particular pit toward the healing Lord. These slave Soul Physicians were lay-people whom our Lord had touched; a concept which today's world desperately needs. Beyond the Suffering will not only heal and prepare us to face life, it will equip us to be Soul Physicians. Many materials in this book encourage the reader towards victory. The questions which summarize each chapter are thought- and action-provoking.
The history is well-researched; ideas are amply, tellingly illustrated. No punches are pulled. The authors tell about slavery exactly as it was, and about Christ and His ministry exactly like it is. Beyond the Suffering is not a book for those who like their American comfort and traditional misbeliefs. Be prepared to have growing pains and spiritual toothaches as you read. This book is a must for all Christians. It will make an excellent preparation for our youth as they head into a dangerous future.
Technorati Tags:
Nonfiction: History, Nonfiction: Inspiration, robert w. kelleman, karole edwards, Baker Books (publishers), donna eggert (reviewer), christian book reviews
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The New Book Review is blogged by Carolyn Howard-Johnson, founder of Authors' Coalition (www.authorscoalitionandredenginepress.com). It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews and reviewers who'd like to see their reviews get more exposure and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers.
Sunday, December 6, 2015
Literary Agent Interviews Horror Writer
IF YOU WOULD LIKE TO SEE MORE INTERVIEWS--TO FIND GREAT READING OR TO NETWORK WITH AUTHORS--PLEASE SUBSCRIBE TO THIS BLOG. YOU ARE A WELCOME ADDITION TO THIS FAMILY WHO LOVES BOOKS! YOU'LL FIND A WINDOW TO DO THIS AT THE TOP OF THIS BLOG PAGE.
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Wednesday, January 27, 2016
Interview: Author Student of Gullah and Geechee Cultures
“There is nothing more rewarding than to hold one of my author’s books and know I helped bring it to fruition. I am so blessed and privileged to be able to work with some of the most talented writers in the world.” Jeanie.L@llallc.net www.loiaconoliteraryagency.com
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Tuesday, June 10, 2014
Debut Novel of Suspense and Romance Tours Blog
Publisher: Gilbert Street Press
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Tuesday, February 10, 2015
WOW Blog Tour Review Love My Friend Nina Amir's New Book for Authors
Title: Authorpreneur: How to Build a Business Around Your
Book
Author: Nina
Amir
Web site: www.ninaamir.com
Genre: Writing Craft
Publisher: Pure Spirit Creations
Publication
Date: October
22, 2014
E-Book: 85 pages
AISN: B00OT67PPO
Buy the book at Amazon
Or at Smashwords
When I say "step by step" I am not exaggerating. Amir will provide an idea such as webinar. From there she will provide you with the names of several platforms you can use to set up webinars along with the positives and negatives of each platform. Then she provides both creative and technical directions on how to produce a webinar: how to transform your book/knowledge into a webinar and tips on technical issues such as when to hold a webinar, producing online registration pages, etc. I was amazed by just how much information was in this 85 page ebook! Even if you just adopt one of the ideas Amir provides you will be getting your money's worth. But don't think this book is all about online opportunities. Amir provides the same detailed attention to things just as speaking engagements and creating mini-books.
On the surface, this book lends itself more to nonfiction writing but with some adaption fiction or memoir writers will find information they can use. It will definitely have you evaluating your book in a new way. I recommend that all writers read Authorpreneur: How to Build a Business Around Your Book and see where Amir's ideas will lead them.
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Monday, June 4, 2012
Tim Ward Gives Karina Fabian's Fantast a Five!
Author: Karina Fabian
Category: fantasy/science fiction
ISBN-13: 978-1897942369 (print)
1897942362 (e-book)
Format: Trade paperback, e-book
Publication Date: Aug 8, 2011
Pages: 314
Price: $19.95 US (print) $2.99 (e-book)
Available from: DragonMoon Press, http://dragonmoonpress.com
More Info: www.fabianspace.com
My rating: 5 of 5 stars
When I heard that the main character, Ydrel, was a telepath empowered by an alien only he can see and hear, I had to buy it. I am writing a book with telepaths and so I came at this book from a researcher’s perspective. What Karina gave me was more than I anticipated. Here’s a rapid-fire list of what this book offers:
*Solid, clear-cut writing. She keeps it fresh, insightful, emotional, fun, and rewarding.
*Three point-of-view characters with emotional investment and story lines that keep you engaged to the end.
*A fascinating idea about an alien world contacting a young boy from two different angles. One source trains him to kill, and then makes him pay when he refuses. The other needs help to prevent her people from being wiped out in war. The images, conflict, and threats that this side of the novel presents offer a grand scale for the rest of the series. I can’t wait to find out what happens.
*When not set in a fantastical alien world, Karina explores the carefully hidden secrets that could thrive in a mental health facility when you have a telepath and a manipulative chief psychiatrist. Joshua, the young intern who walks into this snake pit, must deal with this psychiatrist, while also gaining Ydrel’s trust so that he can help him escape. Sound research makes this setting real, and you trust the author to tell it how it is, even if that makes things more difficult for the heroes.
*Finally, from a research standpoint, this book offered a ton of inspiration for writing my telepath characters. The best part was, I didn’t feel like I was researching. I came for the story, and was pleasantly surprised to find a new author and series to follow.
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Friday, December 18, 2009
Essential, Literate, Academic: Essays for the Serious Writer
Subtitle: Lessons from America's Greatest Writing Teacher
Edited by Thomas Newkirk and Lisa C. Miller
Afterword by Chip Scanlan
Boynton/Cook Publishers
ISBN: 9780867096002
Nonfiction/How-To/Writers
Contact Reviewer: hojoreviews@aol.com
Publisher's Site: www.boyntoncook.com
Reviewed by Carolyn Howard-Johnson, award-winning author of This Is the Place and Harkening: A Collection of Stories Remembered, Tracings, a chapbook of poetry, and the author of the HowToDoItFrugally Series of books for writers.
The miracle of books from an author's point of view: They live beyond the author's last breath. Of course, it is really the sharing of that breath, the soul, that they care about. Thanks to Boynton/Cook Books, Thomas Newkirk and Lisa C. Miller have been allowed to resurrect Don Murray's essential wisdom for writers several years after his demise.
Don Murray, a popular columnist, journalist and writer, died in 2006. And though this book definitely celebrates Murray as a writer in his own right, it is—at its root—Murray the teacher of writingthat has been brought to life in these pages.
This is important because Murray's emphasis on creativity and the writing process as opposed to the stress so many teachers and writers' programs put on product and genre is fit so well with my own teaching philosophy. I love them because they are similar to mine and, sure. It feels like validation in a writing world become more commercial and less author-centered as time goes on.
But I'm recommending this book comes because I think that Murray's techniques may very well eradicate the disease known as writer's block and do very much the same for joyless writing. It may even do that for writers who are completely comfortable with product-oriented writing.
Murray's message should definitely be heard by all writers--especially beginning writers. Having said that, I think this book holds more value for teachers of writing. For one thing, there is a distinctly academic quality about many of the essays chosen by the editors and about the foreword, too.
With that in mind, I advise new writers to skip the foreword and go to some of the middle chapters that reproduce some of Murray's methods. His keeping of a day book, his note making, his process of drawing inspiration and even his sketches. It is in those chapters one will get an idea of the man and what made him a formidable writer in many genres. It is in those chapters he does his best job as teacher, too.
It is in those chapters that Murray is allowed to teach by example. At one point he talks about the importance of a teacher sharing his or her own work with students, that this sharing is vital to the teaching process. I suspect it is those middle chapters he wouldn't have wanted his students to miss. It is in those middle chapters, the teacher is intent on sharing what brought him joy, the wonderful exuberance of discovery in writing.
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
And while you're at it, as a courtesy to the author, please retweet this post:
Tuesday, May 10, 2011
You Always Knew "Swum" Was a Word, Right?
By Carolyn Howard-Johnson
HowToDoItFrugally Publishing, 2010
55 pages, e-book and paperback
Also available for Kindle
ISBN: 1450507654
Reviewed by Dawn Colclasure
Is there a difference between “childlike” and “childish”? Actually, there is. That's just one of the things I learned when reading Great Little Last Minute Editing Tips by Carolyn Howard-Johnson, which is a companion volume to her other book, The Frugal Editor: Put Your Best Book Forward to Avoid Humiliation and Ensure Success.
Reading this book reminded me of the first book in my Revisions series, which is scheduled for publication this spring (and notice that it is “spring” and not “Spring”). In the editing section of that book, I show the difference between popularly confusing words, such as lay/lie, this/that, who/whom and farther/further. In the first part of this book, “Trip-You-Up Words,” Carolyn explores word pairings (or even triplings) of words commonly confused with each other.
I'm glad she included information on the difference between "anxious" and "eager.” I trained myself to stop using "anxious" in a positive way (such as, "I am anxious to see you again") by remembering that the "anx-" prefix is similar to "anxiety." Thus, "anxious" is similar to being filled with anxiety. So would I be feeling anxiety at the prospect of seeing a friend again? Not if it's a good friend! So the correct word is "eager."
This made me laugh: "The sidekick baseball announcers are big on commentary. My gawd! Those statistics and opinions! They go on ad infinitum." (Page 20) One thing Carolyn is known for is her wit and sense of humor. It was pleasant to see this side of her shown in her book.
I wish she had included the difference between compliment/complement. On the other hand, readers must remember that this itty bitty book is only a “companion” volume to her larger, in-depth book on editing. You’ll also find more editing tips on her blog, “The Frugal, Smart and Tuned-In Editor." If a word pairing is not covered here or in her book, chances are good she has taken it on in her blog.
She doesn't exactly explain why there is a difference between "hope" and "hopefully," and why using "hopefully" in the common way it is misused is incorrect. (I was surprised to learn this, myself.) Again, however, check with her book, or her blog.
I really appreciated reading this: "In English, we get to make up a word now and then as long as we don't do it at the threshold of a gatekeeper." (Page 28) So true! And very good advice. One thing about being a logophile (lover of words) is that we like to “take breaks” from our quest for proper grammar and have fun with the object of our addic—er, I mean, “affection.” One way we do this is to make up words, and it’s such fun to make up words. Sometimes, I’ll write out silly words just to pass the time, and the results can sometimes pique my interest or cause me to chuckle. (And Carolyn will be pleased to know that I have use “pique” as her booklet instructs.)
I'm glad she pointed out the difference between “i.e.” and “e.g.” as well as the importance of inserting commas on either side of "i.e." and "e.g." She didn't, however, note that the periods are likewise essential. I’ve seen many people use them as “ie” and “eg.”
Some readers of this book, and many others like it, may reach the conclusion that Carolyn must always have perfect grammar and never make a mistake. Unfortunately, this is a widespread opinion of such authors and writers. Even some may believe such a thing of Mignon Fogarty ("Grammar Girl"). However, these writers are only human, and humans are prone to make mistakes. Even grammarians make mistakes. Editors make mistakes all the time. Carolyn reminds her readers of this by sharing an embarrassing goof in using the wrong word in the title of a poem she shared with her class, concluding with: "This experience gives me a chance to remind you to be forgiving of others when they error; your turn is sure to come."
I was grateful to learn the difference between "podium" and "lectern." I know I have misused "podium" a time or two. Now, thanks to this "great little" book, I'll be sure to remember which word is the correct one to use!
And now for the "curious word of the day." Cue the fanfare! The curious word is: Swum. Yes, "swum" is indeed a word, Carolyn notes. To be honest, I've always, always seen either "swim," "swimmed" or "swam." But never "swum." It made me wonder if there is a difference between "swum" and "swam." ("Swam" is still a word, right?)
I love how she points out the popular mispronunciation of words, some of which even I am guilty of. It is not "mischievious," but "mischievous." It is not "verbage" but "verbiage." Likewise, she points out the popular way sayings are repeated incorrectly. It is not "could care less" but "couldn't care less." It is not "tie you over" but "tide you over." In one of my manuscripts, a character is guilty of often quoting popular phrases incorrectly, and we’ve all gotten a chuckle or two when someone does this in a TV show or movie. Still, it's nice to know the correct way to say such a thing for what you really mean.
This “great little book” of editing tips gives readers a down-to-earth and refreshing approach to better grammar and usage. Grammarians bemoan the incorrect wording of the sign “ten items or less” and chuckle over a sign advertising “tattoo’s.” (Whose tattoo, exactly?) While we are imperfect writers living in an imperfect world filled with grammar mistakes and mispronunciations, it’s editing books like this that helps us get one step closer to writing, and speaking, clearly and succinctly.
Author of the following books: November's Child, Take My Hand, 365 TIPS FOR WRITERS: Inspiration, Writing Prompts and Beat the Block Tips to Turbo Charge Your Creativity, BURNING THE MIDNIGHT OIL: How We Survive as Writing Parents, Love is Like a Rainbow: Poems of Love and Devotion, Songs of the Dead, co-author of TOTALLY SCARED: The Complete Book on Haunted Houses
~Reviewer Dawn Colclasure is an author of Totally Scared: The Complete Book On Haunted Houses where she shares everything you ever wanted to know about haunted houses, and the ghosts who haunt them! http://totallyscared.webs.com/ .She is a contributing writer for SIGNews. Learn more about her at http://dmcwriter.tripod.com/ . Tweet with her at www.twitter.com/dawncolclasure and follow her book review blog at http://writedmc.livejournal.com/.
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Saturday, May 4, 2024
The Magnum Opus of a Master Poetess
The Magnum Opus of a Master Poetess: A Review of What Was and Is: Formal Poetry and Free Verse by Theresa Werba
By Andrew Benson Brown
What Was and Is: Formal Poetry and Free Verse
Theresa Werba
Bardsinger Books
978-0965695503
Released April 2024
$12.95 (Paperback) $6.99 (Kindle)
217 pages
In What Was and Is: Formal Poetry and Free Verse, a magnum opus decades in the making, Theresa Werba reveals how the calling of poetry is infused into the very being of the writer. Werba is no mere scribbler of verse. In her list poem, “Poetess,” she catalogues the panoply of emotions that go into her vocation, beginning with:
Thinking, feeling, surging, trying,
Contemplating, dreaming, dying,
Resurrecting and creating,
Finding, telling, speculating…
Theresa is considered one of the living masters of the sonnet (a fact which another reviewer has pointed out). I would point out, in addition, that she joins the likes of Elizabeth Barrett Browning and Edna St. Vincent Millay as one of a handful of women in history to have become expert in this form. She does not confine herself to the sonnet, however. This collection is full of wondrous variety of forms, including some high quality free verse.
Poems are organized thematically: creativity, love, the mind (about dealing mental illness), poems about people (some historical), her ‘other’ vocation as a professional singer, biographical poems, aging, and (in a fitting finale) her spiritual life.
Sometimes a poem is included in one section that might well be in another. One might think the sonnet “For John of the Cross” would go in the section “Pantheon” with other historical figures, or perhaps in “Ever Towards Uncertainty,” the section of spiritual poems. But no. Werba slots it into the section “My Mental World is Overloaded,” devoted to her experiences with neurodivergence. It begins:
It was five years of darkness. I was dead
But barely breathing, living hardly; lain
About the marble slab. It was my bed
Where I would live, if life were sleep.
Heart slain Of all feeling— empty, absent, gone—
Was beating only, but no heart therein.
We realize, of course, that this poem is as much about the poetess as the author of “The Dark Night of the Soul.”
In the ballad, “A Formalist Poet's Lament,” Werba captures her approach to writing verse:
It saddens and perplexes me,
The things I hear of late,
Of how to create poetry,
And how to make it “great”:
I've heard it's not emotional,
It's nothing how you “feel;”
But it's entirely rational,
Not heartfelt in appeal.
“For nature poems are fine and good,” she says a few lines down, “But what about the soul?” The soul is, indeed, what separates the true poet from the poetaster or AI program.
It also might be said to be the theme of every poem here, whether hidden or overt—both in the general sense of ‘soulfulness,’ and also (we find later) in a more conventionally religious sense as well.
Werba pulls out all the literary devices, often employing these in a mimetic way that reflects her theme and subject matter. In ‘Sonnet of the Hardened Heart,’ for example, parenthetical descriptions are enshelled within the details of her thoughts on erecting barriers of emotional protection:
Care less, I warn myself; bother no more
With inner crevices: prying the shell
Like scabs (rough, oozing, sore), which crust, but tell
Of tumults against the psychic seabed floor;
It is in vain. Swollen and hard around
The meat (like newborn skin, or the vaginal flower)….
Werba belongs to that limited class of creatives who are adept in more than one field: in this case, music. Poetry and music have long had a deep connection, and her dual skills interpenetrate here. This section appropriately contains several actual songs, complete with instructions for performance. In “The Classical Singer’s Drink Offering,” we are invited to experience secondhand the ecstasy of music, which approximates both a sense of drunkenness and (as in the biblical passage from Numbers 28:7 that the title references) of spiritual inspiration. The closing stanza reads:
But after the heaves and pants, the shimmer, the ring,
The chill-bumps in the hairshafts, when my blood
Has leapt and circled corpuscular gamuts, filling
My mask with heat and sound, a kind of thud
Percusses my environs. I turn around
As if to see Him watching.
Oh, to face
Not loving half so much my very sound,
As Him for whom this pouring out took place.
In “Venus and Adonis,” a long poem of over 100 lines, Werba demonstrates a capacity for extraordinary sensuality:
I see her standing there.
Ringlets of curls cascading down
Soft shoulders
Onto the copious breasts of pearl and alabaster.
The curls unfurl longer and longer,
Shining and reflecting like circle rings
The sun which hits them.
She walks, tall. Her feet bare and white,
Painted with lilies and grass.
The mountains in front of her
Are billows of soft escape,
And how I wish I could
Bury myself in them,
Taste and touch them,
Suckle them and know them,
Honor them and find them
Again and again.
The uninhibited quality of passion that fits well with the spontaneity and irregularity of free verse, and I must confess that of all the varieties of this form, I enjoy the topic of love most. I shared this poem with a lady friend of mine, and she LOVED it. “So beautiful and raw,” was her impression.
Werba’s ability in the spheres of both formal and free verse is reminiscent of some of the early modernists like Eliot, Stevens, and cummings, who moved to free verse styles after acquiring a deep familiarity with formal verse, allowing them to develop a unique voice and subtle structures. While Werba does not engage in the radical grammatical experiments of a cummings, her skills also reflected in several nonce poems—verses written in no named, congealed form, skirting the boundary between the formal and spontaneous.
In the final section, we encounter a series of poems engaged in deep spiritual reflection. One of the most impressive in the collection is “The Supreme-Breasted One (El Shaddai).” A poem of praise as well as philosophical and personal reflection, it has an irregular structure, with stanzas of varying line length and number, as well as an irregular rhyme scheme:
The woman in my Father’s face
The ruach of my soul
Male images have hid the shad,
The breast, that El Shaddai has had
To comfort those, who wounded, have
Quite never been made whole.
Born anew? Yes; a birth it is—
But only from the pronoun “His”?
When earthly form so plainly shows
That woman is in what seed grows
And germinates, and procreates?
And she, whom Comfort has made flesh
To show His less, nay, more than “manliness”:
That He is really also “She”—
A femininity in Trinity?
After five more stanzas, Werba, having assimilated an expertise for different forms, ends the poem with a couplet:
Now delivered, life from Life is come:
O feed me, fill me, Supreme-Breasted One.
As a master of the sonnet form, Werba is particularly adept at ending her poems with a powerful two-line punch like this. Its unexpected appearance as the closing to an ode makes it all the more effective.
The poems discussed and excerpted here are only a slice of the rainbow this collection contains. It is well-organized (and elegantly formatted): beginning with personal reflections on creativity and eros, we move through history, life, and finally come full circle into the realm of the spirit—all while never ceasing to be personal. In terms of both diversity and depth, Werba is both a poet for our time, and for all time.
MORE ABOUT THE POET
Theresa Werba the author of eight books, four in poetry, including the newly-released What Was and Is: Formal Poetry and Free Verse (Bardsinger Books, 2024). Her work has appeared in such journals as The Scarlet Leaf Review, The Wilderness House Literary Review, Spindrift, Mezzo Cammin, The Wombwell Rainbow, Fevers of the Mind, The Art of Autism, Serotonin, The Road Not Taken, and the Society of Classical Poets Journal. Her work ranges from forms such as the ode and sonnet to free verse, with topics ranging from neurodivergence, love, loss, aging, to faith and disillusionment and more. She also has written on autism, adoption and abuse/domestic violence. Find Theresa Werba at www.bardsinger.com and on social media @thesonnetqueen.
MORE ABOUT THE REVIEWER
Andrew Benson Brown is a poet and journalist living in Kansas City. He is the author of Legends of Liberty, a mock-historical poetic epic. He is a member of the Society of Classical Poets, where he regularly contributes poetry, essays, and reviews. His work has been published in a number of journals. He is also an arts columnist for the Epoch Times and a history writer for American Essence magazine.
Saturday, July 14, 2018
Blogger-Podcaster Erik Fogg Reviews Dr. Bob Rich's Hit and Run
Author: Dr. Bob Rich
Genre: Inspirational/Paranormal
ISBN: 978-1-925191-48-6
Purchase
This blog is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.