Poet Carol Smallwood Interviews Theresa Rodriguez

Shanti Arts LLC

ISBN: 978-1-951651-22-0 (print; softcover; perfect bound)

Released March 2020; $8.95; 48 pages

Order at Amazon

Author: Theresa Rodriguez

Author's Website: www.bardsinger.com

Interview by Carol Smallwood

Longer Thoughts is the third book of poetry by Theresa Rodriguez, a retired classical singer and voice teacher who holds a Bachelor of Arts in vocal music performance from Skidmore College and a Master of Music with distinction in voice pedagogy and performance from Westminster Choir College. A native Manhattanite, she now lives outside of Philadelphia. With deep emotion, Longer Thoughts presents poems on such topics as: love, beauty, mortality, aging, and theological questioning. "In fo "In fourteen lines, her sonnets in particular are able to communicate what takes essayists and writers thousands of wordsines, her sonnets in particular are able to 

 Smallwood: Why did you call your new collection Longer Thoughts? 

As opposed to my previous collection of sonnets, Longer Thoughts contains many longer poems in a variety of forms as well as free verse. It is a small collection but diverse in its range of subjects.

Smallwood: When did you begin writing poetry? Do you do other kinds of writing also?

I am sure I began writing poetry in earnest when I was about ten and by high school had some poems published in my school's literary magazine. In addition to poetry, I have written articles for Classical Singer Magazine on a myriad of topics of interest to classical singers. When I was a young mother I wrote a book entitled Diaper Changes: The Complete Diapering Book and Resource Guide and had articles about cloth diapering published by various parenting magazines. My book When Adoption Fails explores my life story as an adoptee in a dysfunctional adoptive situation. In Warning Signs of Abuse: Get Out Early and Stay Free Forever I provide encouragement and instruction to women in abusive relationships. I am sure I have a few more books inside of me yet to come! I have also begun writing book reviews as well.

  

Smallwood: What are the classical poetry forms that appear in Longer Thoughts and what did Evan Mantyk of the Society of Classical Poets comment about your sonnets? 

In Longer Thoughts I have included the villanelle, rondeau, triolet, ode and sonnet forms, in addition to free verse. Of my sonnets Mr. Mantyk has said, “In fourteen lines, her sonnets in particular are able to communicate what takes essayists and writers thousands of words.” I have endeavored to branch out to other forms while maintaining my inclination towards the sonnet. I have also begun writing in the Petrarchan, rather than mainly Shakespearean, sonnet form and have some examples of this in Longer Thoughts.

Smallwood: How do you use symbolism and imagery in Longer Thoughts?

There are three poems in particular that use symbolism and imagery in Longer Thoughts. In the poignant free verse “China Crystal Fairy” I describe a “delicate fairy creature” which symbolizes a particularly fragile relationship that I had broken apart though my own clumsiness. In another free verse entitled “Full Circle” I use the imagery of a tree and the fullness of its life cycle to symbolize the aging process. In the sonnet “The Rise of Fall” I also reflect on the aging process by comparing its phases to the four seasons.

Smallwood: What are some magazines your poetry has appeared?

My poetry has appeared in the Midwest Poetry Review, the Journal of Religion and Intellectual Life, an Anabaptist publication entitled Leaf Magazine, The Road Not Taken: A Journal of Formal Poetry, Mezzo Cammin: An Online Journal of Formalist Poetry by Women, Spindrift, the Shakespeare Oxford Fellowship, and the Society of Classical Poets.

Smallwood: Please tell readers about your activities with the Society of Classical Poets:

My work began appearing with the Society of Classical Poets in 2014. In June of 2019 I and three other poets—James Sale, James B. Nicola, and Mark Stone—participated in a poetry reading at Bryant Park in New York City where we each read from American poets including Poe's “The Raven” and then read selections of our own work. This year I am one of four featured poets who will be reading at the 2020 Society of Classical Poets Symposium. My background as a classical singer has given me the ability to render my spoken poetry in an interesting and engaging way without being overly dramatic.

Smallwood: One of your poems is about keeping a journal. When did you begin writing one and how does it help:

My first poems began appearing as diary entries in junior high school. As I mention in the sonnet “My Journal,” the place where I write is “a sanctuary, hallowed space.” It is where I work out the rough drafts of my work, prune and hew and adjust and temper what I have done, as I craft it into art. I am not a very fluid writer and there are lots of marginalia and scribbled out lines and words in my journals. What I usually do these days, is get the poem written to a basic condition, then type it up on my computer, edit it and prune it some more, and then again, and again, as many times as necessary, and then transcribe it back into my journal, so that I have both the rough material and finished product in the same place. It helps to have a journal because it is my workshop, my studio, where I can work hard and get dirty and then preserve a polished work at the end of my endeavors.

Smallwood: Do you have ideas for your next book?

I am currently working with Shanti Arts to publish Sonnets in an enlarged second edition. Since the first edition in 2019 I have begun writing in the Petrarchan sonnet form and these as well as other new poems will be a valuable addition to my current sonnet collection.

MORE ABOUT THE INTERVIEWER

Carol Smallwood, MLS, MA, Marquis Lifetime Achievement Award recipient, is a literary reader, judge, interviewer; her 13^th collection is Thread, Form, and Other Enclosures (Main Street Rag, 2020)

MORE ABOUT THE  BLOGGER AND WAYS TO GET THE MOST FROM THIS BLOG

 The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. Of particular interest to readers of this blog is her most recent How to Get Great Book Reviews Frugally and Ethically (http://bit.ly/GreatBkReviews ) that covers 325 jam-packed pages covering everithing from Amazon vine to writing reviews for profit and promotion. Reviewers will have a special interest in the chapter on how to make reviewing pay, either as way to market their own books or as a career path--ethically!

This blog is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.

Our "Getting-Reviews" Gal Lois W. Stern Offers #FrugalBookPromoTips

Want #More Book Reviews . . .  Dynamite Hint #14 to the Rescue

https://thenewbookreview.blogspot.com/2020/04/want-more-book-reviews.html

Some Important Tips from Lois W. Stern,

TheNewBookReview

Trusted Review Acquisition Coordinator           

Carolyn and I have been working hard to catch the eye of potential reviewers and get them to review your books. We note that those of you who offer real paper editions, (unless of course it’s only available as an e-book), are at an advantage. 

SOME SAGE ADVICE I TOOK FROM CAROLYN'S BOOK: HOW TO GET GREAT BOOK REVIEWS FRUGALLY AND ETHICALLY - PAGE 156:

Did you know that even if you don’t have a supply of books on hand, you can order individual copies of your book on Amazon AT YOUR AUTHOR PRICE and have them shipped directly to the reviewer’s address? Think of it this way, a few dollars to ship a copy of your book gives someone a big incentive to accept your gift and write that review. It's frugal and ethical.  And it nudges your Amazon logarithm stats. 

If you are looking for more reviews and are onboard for shipping some of your actual books to a potential reviewers, complete the form below and e-mail me (or copy and paste: tales2inspire@gmail.com into your browser), with the words LOOKING FOR REVIEW POSTING in the subject line, so I can highlight your review request next to your book listing.

Another nifty idea is to e-mail potential reviewers a few BOOK CLUB DISCUSSION QUESTIONS to help guide them while drafting their review- a great way to spark the reviewer’s own creativity.

Once you ship a book to a reviewer, send them a follow-up e-mail, thanking them and asking them to let you know when their Amazon review is posted. 

Steps to ordering a review copy of your book directly from Amazon:

• Go to your Amazon KDP page.
• On the right side of your book display, look for the words PAPERBACK ACTIONS and click on “Order author copies”.
• On the next screen, click on quantity 1, select the marketplace from the drop down menu, and check the box This is a gift
• Proceed to the checkout, where you will be asked to fill in additional info as name and shipping address of person receiving your gift, and method of payment.

When people pass your book around, lots of good things start to happen. it increases your exposure, your Fanbase and buzz about you. And isn’t that what each author is hoping to achieve?  

We’re off to a great start. Let’s keep the momentum going. And in my future blog postings, I’ll reach out to readers with this incentive that every reviewer gets the gift of a book they have hand picked.

Working together, we can make this project a huge success! Can we count on you to help it succeed by also selecting a book of interest to you, contacting that author for a gift copy and posting an Amazon review?

Lois W. Stern

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More About our Getting Reviews Gal, Lois W. Stern

Tales2Inspire® was a kernel of an idea I started in 2012 that has grown to proportions even I didn’t dare to envision. My innate curiosity about potentially fascinating human interest stories was the spark that ignited this idea, with the confused state of traditional publishing propelling me forward. Tales2Inspire® delivers exactly what it promises as both an ‘Authors Helping Authors’ project and a contest. Winners get their stories published in print, e-book and some even in video formats, with their names, headshot photos and mini-autobiographies included. Then I spread the word about the winners and their stories on my blog, social media and monthly newsletter. FREE to enter, this is a great competition for talented newbies and seasoned authors alike. If you would like to read some of these published stories, click here (or copy and paste: www.tales2inspire.com/gifts into your browser) for a FREE Sampler.

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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning #HowToDoItFrugally series of books for writers . Authors, readers, publishers, and reviewers may republish their favorite reviews of books they want to share with others. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read and love. Please see submission guidelines in a tab at the top of this blog's home page or go directly to the submission form . 

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Diane C. Donovan Reviews Important Resource for Writers

The Big Book of Small Presses and Independent Publishers
Author: Marylee MacDonald
Grand Canyon Press
www.grandcanyonpress.com
9781951479190 

$20.99 pbk
9781951479046 

$9.99 Kindle amazon.com

Diane C. Donovan Reviewer, originally for Midwest Book Review

The Big Book of Small Presses & Independent Publishers is packed with listings of small presses, contests where book publication is one of the prizes, university presses, and others accepting works from authors. It should be the reference of choice for would-be authors who don't want to self-publish, but who find themselves stymied by the lack of an agent.

Marylee MacDonald avoids the pitfall of listing vanity publishers (those who publish for a fee) and features a wide range of presses who publish in all genres of fiction and nonfiction.

It should be noted that these listings are alphabetical, not segregated into genre. But lest an author think they have to read every description to arrive at a list of, say, romance publishers, it should be noted that the 'find' search approach in the e-manuscript works fine for skipping through the listings to locate publishers accepting work in a specific genre.

Each listing includes an assessment of the submission process, contact information, a web link for writer's guidelines, and special notes about what a cover letter should ideally hold to attract them. Listings also include company history (where available) and any special notes about the publisher's philosophy, backlist, and interactions with authors.

This isn't the only book to provide lists of publishers (Writer's Market is the most extensive such reference, for one example), but it's been well-researched to include publishers especially open to new authors and manuscripts, who have a reputation of doing good work.

As a basic reference of publisher contacts in the small-to-medium press world, The Big Book of Small Presses & Independent Publishers can't be beat. It holds all the basics necessary to appeal to authors who eschew self-publishing and agents, and who want to approach that segment of the publishing industry particularly willing to work with new authors.

MORE ABOUT THE  BLOGGER AND WAYS TO GET THE MOST FROM THIS BLOG

 The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. Of particular interest to readers of this blog is her most recent How to Get Great Book Reviews Frugally and Ethically (http://bit.ly/GreatBkReviews ) that covers 325 jam-packed pages covering everithing from Amazon vine to writing reviews for profit and promotion. Reviewers will have a special interest in the chapter on how to make reviewing pay, either as way to market their own books or as a career path--ethically!

This blog is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.

Note: Participating authors and their publishers may request the social sharing image by Carolyn Wilhelm at no charge.  Please contact the designer at:  cwilhelm (at) thewiseowlfactory (dot) com. Provide the name of the book being reviewed and--if an image or headshot of the author --isn't already part of the badge, include it as an attachment. Wilhelm will send you the badge to use in your own Internet marketing. Give Wilhelm the link to this post, too!

FREE Books for Review with Hint Number Thirteen for Getting Them

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HINT #THIRTEEN

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PAGE 113: HOW TO GET GREAT BOOK REVIEWS Frugally and Ethically

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Revenant Movie and Book Review and Discussion Questions

After watching The Revenant movie with my husband, we both read a shorter nonfiction account of Hugh Glass. Both of us wanted more information. The book is only 17 pages, available on Kindle Unlimited. The eBook and paperback are available on Amazon. 

If there were ever a true story ripe for big-screen treatment, it’s that of Hugh Glass, a 19th-century trapper who traveled 1,500 miles through the wilderness.  Time.com

Some True Adventures in the Life of Hugh Glass, a Hunter and Trapper on the Missouri River (1857) is a short, sweet nonfiction book with helpful background information that reads like a story. The author of the book is Philip St. George Cooke. When I looked up the author, I learned he had died in 1895. So I can't find other information and wonder if someone typed up his military notes for his several books on Amazon. 

Another book to consider is Lord Grizzly (by Frederick Manfred, Buckskin Man Tales), which is a more complete and longer account. It was written in 1954 by Frederick Manfred. It is recommended on the South Dakota travel site. This book has a higher price tag and is 310 pages in length. It is a grueling experience just to read about Hugh Glass. And, frankly, the book is racist and contains swearing. It was written about seven decades ago, though. 

My husband grew up in South Dakota and remembers learning about Hugh Glass in school. Glass was left for dead by other trappers (Fitzgerald and Bridger) after being mauled by a bear, and wanted revenge on those men. In the movie, he has a Native American son who is killed by Fitzgerald. We had to look up the information as we aren't thinking about it very often, which led us to the book on Amazon. We also checked Wikipedia:

He had festering wounds, a broken leg, and deep cuts on his back that exposed his bare ribs. Glass lay mutilated and alone, more than 200 miles (320 km) from the nearest American settlement at Fort Kiowa, on the Missouri River.

You can follow the actual route he took today if you travel that way. It is approximately from Lemon, SD, to Chamberlain, SD, if you are itching to remember. The towns were built after the events took place. Probably driving by car is the best way to cover the miles today. The annual Hugh Glass Rendezvous at Shadehill Recreation Area in late August celebrates the legend.

So, some questions to consider regarding these books, online information, and the movie include the following:

1. The author of Lord Grizzly, Frederick Manfred, was obsessed with the story of Hugh Glass to the point he would crawl through his backyard in Minnesota with one leg tied up. He would eat grubs and ants as part of his character study for writing the book. He also walked part of the path through South Dakota. He continued his study for ten years. He collected gravel, grasses, sand, and other natural items to further his understanding. Discuss: How far would you go for a character study in order to write a book? How much would you put up with as a spouse of someone going through such an obsession? 


2. The movie and the books all differ in their retellings of Hugh Glass. In one book, he has a wife and two children back in Lancaster, PA. He also spends years with Bending Reed, his Native American wife. In the film, he only has his Native American wife and teen son. In another book, no female companion or children are mentioned. They are all historical fiction to some degree. Discuss: Is his family impact the main story? Why would the retellings be so vastly different in this regard? Why do you think none of his family members are included in the story?


3. Initially, Hugh Glass was first confused and then driven to get revenge on the men who left him to die. Crawling for 40 days (according to one source) with major injuries would require motivation. The trip took so long he began healing along the dangerous way. Supposedly, other bears, wolves, and turkey buzzards approached him along the way. He had to eat grubs and ants. All this with no plumbing, no change of clothing, and winter approaching. Discuss: How do you think Glass survived his ordeal? What were his motivations? How did his "travel" compare to travel today? Is the story worthy of a museum and an annual 4-day rendezvous in Lemmon, South Dakota? Would you like to attend? 

4. Glass wanted to be a mountain man and not live in the city. His wife (Mabel) in Lancaster, PA (according to Lord Grizzly) and mother of his two sons would not move west. They would fight and he left. Discuss: Could Glass have ever settled for city life? He didn't continually stay with his Native American wife and would go on long expeditions for beaver pelt. Do you think some people are just born to a certain path and unable to change? 

5. The Revenant opens with a scene where the mountain men were surprised and many killed. In Lord Grizzly, we learn there was a reason for the attack. The mountain men would "visit" Native American women which caused anger. Would the movie seem different if we had known that right away? Did we ever find that out in the film? Discuss: Why does the film focus mostly on Glass, and his crawling travel? Why doesn't it take a larger view of the time? *Note: Everything we know is historical fiction as Glass was born in 1783. 

6. In the historical fiction book, Lord Grizzly, Glass alternates between vulgar language and reciting scripture. He finds an old Native American woman who is dying, gives her her last meal, and digs a grave for her with his bare hands (with all his wounds). He gives as best a funeral as he can, complete with prayers. Discuss: Why didn't the film include that scene? Does it change your mind about Glass? Does that fit with the non-denominational service at the end of the four-day rendezvous event?

7. The big theme about the book at the end is forgiveness. Glass forgives Bridger, being able to see his point of view. Fitzgerald has joined the army in two of the retellings, and Glass has to promise not to injure him. He gets $300 and his prized rifle back. In Lord Grizzly, he does forgive Fitzerald. In the book, Lord Grizzly, Glass forgives both men. Discuss: Forgiveness as in the story and in general. The thought of revenge kept Glass crawling and making progress, yet he arrives and can find it in himself to forgive. He does not forgive Fitzgerald right away, but he does. How difficult would it be to forgive Fitzgerald as in the film, where his son is killed? How does Glass get even with Fitzgerald in the film?

After either the movie or one of the books, I appreciated civilization more. Either snack during the book or plan a dinner afterward as it makes you feel like you are starving! You might be hungry enough to eat a bear! But probably not. 

MORE ABOUT THIS BLOG The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. Authors, readers, publishers, and reviewers may republish their favorite reviews of books they want to share with others. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read and love. Please see submission guidelines on the left of this page and in a tab at the top of this blog's home page. Reviews and essays are indexed by genre, reviewer names, and review sites so it may be used a resource for most anyone in the publishing industry. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. #TheFrugalbookPromoter, #CarolynHowardJohnson, #TheNewBookReview, #TheFrugalEditor, #SharingwithWriters, #reading #BookReviews #GreatBkReviews #BookMarketing

James Sale Reviews Classic Poetry

Theresa Rodriguez, Jesus and Eros: Sonnets, Poems and Songs 

Author: Theresa Rodrigues

ISBN 13: 978-0-96569555-6-5)

and Sonnets 

Author: Theresa Fodriques

ISBN 13: 978-0-9656955-8-9)

Author's Website: www.bardsinger.com. 

Genre: Poetry

Original Publisher:  The Society of Classical Poets, Evan Mantyk, publisher 

Reviewed by James Sale originally for JamesSalePoetry.web.com

These two collections comprise a total of 79 poems (if we include the songs too), although there is some overlap of sonnets, some of which appear in both collections. Three themes stand out: one, a spiritual longing for union with God which is underpinned by her sense of her own unworthiness and sin; two, a deep but very measured eroticism (no filth in other words) which explores failed relationships and the fantasies of the longing mind; and third, the act of writing itself as a purgative or panacea for the afflictions life has vented on her. This last point is important too, since it is why she has developed a fascination with forms and structures as she seeks to communicate, understand and order her experiences. I would observe—I think justly—that by far and away her best poetry are those poems (of which there are many) in which she uses form, rhyme and meter, and where the verse is free, I find the poems far less effective.

The strength of Rodriguez as a poet is in her ability to access and confront her emotional states directly. She does occasionally comment on wanting to come up with original ideas, but this is a mistake: she is not a poet made to impress us with new ideas hatched in the mind; she is a poet who speaks from the heart. We see this in contrasting a poem that appeared on the pages of The Society of Classical Poets, “Writer’s Block,” and its concluding lines:

“Oh, would that something fresh would come to me,

Not what amounts to sheer banality!”

This is fun but no more than that. Contrast that with this first line from “Finale”:

“The rigor mortis of my love for you has not set in.”

Phew! That is pretty startling on a number of levels. Or take her poem, “Sweet Bird,” where I would ask is this really about a bird as we are “awaiting your long descent”? There is a plangent eroticism in all this suggestive of a lover to be; the bird is always “he.”

And again, the concluding stanza of “Shaman of the Waves” also captures something of her intense yet understated erotic power:

“And so we are of polar force

that meets in synergy;

you are the shaman of the waves;

I am the sea.”

But having said earlier that there are three main themes, they of course blend in all sorts of ways. Indeed, the title of her first collection, Jesus and Eros, might appear to be such a blend as well as being oxymoronic in its mixing of the sacred and the sensual. Here, however, I am reminded of two lines from a C.H. Sisson’s poem, “A Letter to John Donne”:

“That the vain, the ambitious and the highly sexed

Are the natural prey of the incarnate Christ.”

That is beautifully put; he was of course referring to John Donne in terms of the three attributes, but certainly the “highly sexed” applies to Rodriguez’ writing. And since she writes frequently in sonnet form it is worth contrasting her efforts with another favourite sonneteer, who writes occasionally on these pages, Joseph Charles Mackenzie. Whereas Mackenzie’s sonnets are usually theological, public and “objective,” Rodriguez’ are confessional, intimate and “subjective.” Both, of course, have their own strengths, but how different they can be!

In Rodriguez we have the sense of a soul longing for order, for discipline, for that unreserved giving for the great cause of either passion or love. One suspects that in another life Rodriguez would have made a formidable nun or saint of an order. Take her “Platonic Sonnet”:

“I hope that by a deprivation all

Might turn into a longing at your core.”

Or, from “You’ve Made It Clear”:

“For though I’ve longed for you in every way,

I also love enough to stay away.”

Or, from “Simple Little Things”:

“Do you have any sense of what can be

Within a body touched by loneliness?”

The poems, then, at their best can be touching, affecting and profoundly felt experiences, and I think represent real poetry from a real soul whom the Muse has visited. Perhaps one final great example, where Rodriguez brings it all together in the concluding couplet of a sonnet is “Grey Sonnet” (yes, she uses the English spelling!):

“For grey to dwell alone is grey indeed

When colors yearn to contrast, blend and bleed.”

That is wonderful writing, and a quite brilliant sonnet that I invite everyone to read and find its joys for themselves. And as a footnote, “bleed” is a favourite word of Rodriguez.

Regular readers of the pages of The Society of Classical Poets will also be heartened to know that Rodriguez’ strong religious beliefs lead her to reject much of the feminist and other contemporary claptrap that passes for thought. Her poem, “Goodbye, Sweet Fetal Child,” is a searing indictment of “hedonistic choice” abortion. There is, then, so much to recommend in her poetry. But where, perhaps, may there be improvements?

I think the major fault in these collections is in the editing. First, the collections could be tighter – some poems do not justify their place in the collections, and if we take Sonnets, then 37 is not a number I recognise! Shakespeare had 154 (11 x 14, the number of lines in a sonnet) and Mackenzie has 77 (half 154). 33 is good (Dante liked the number) and 36 is also good (4 x 9 or 3 x 12): one poem that should be omitted is “The Earl of Oxford’s Sonnet” which seeks to assert that Shakespeare did not write his plays. Quite apart from the fact that he did, as I have explained on the pages of The Society of Classical Poets, it should be obvious from all I have said about Rodriguez’ poetry that this is not a suitable theme for her: it is academic, dry-as-dust, and not from the heart. Why bother? It’s a weak poem anyway.

Second, on the editing front, the proofing needs improving, and most particularly in the area of punctuation. Punctuation is intermittent in places; if Rodriguez were E.E. Cummings, then that might be justified, but in writing traditional sonnets I think punctuation is not a burden but a major semantic benefit. Her sonnet, “I Cannot Write,” is I think impaired by its lack of punctuation. So I would ask her to rethink her punctuation policy for future poems.

But my criticisms must be considered inconsequential compared with the praise I wish to lavish on her collections: they are a real achievement. The poetry contains some dazzling truths as she unashamedly faces the demons of herself, her life and her imaginings. Let me leave you with her couplet from “I Wake My Eyes”:

“For everything is better when from cares

We turn our full attention to our prayers.”

Simple, direct, child-like, but massively affecting with all the potency of truth. Read Theresa Rodriguez.

About the Author

Theresa Rodriguez is the author three books of poetry, including Longer Thoughts, which is being published by Shanti Arts in 2020. Her work has appeared in the Journal of Religion and Intellectual Life, Leaf Magazine, Classical Singer Magazine, The Road Not Taken: A Journal of Formal Poetry, Mezzo Cammin, and the Society of Classical Poets, where she is a contributing member. Her website is www.bardsinger.com.

About the Reviewer

James Sale has been a writer for over 50 years, and has had over 40 books published, including 8 collections of poetry, as well as books from Macmillan/Nelson (The Poetry Show volumes 1, 2, 3), Pearson/York Notes (Macbeth, Six Women Poets), and other major publishers. He won first prize in The Society of Classical Poets' 2017 poetry competition and now serves on their Advisory Board, the only Brit to do so. He regularly writes on culture for New York's The Epoch Times.

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Dr. Wesley Britton Explores StarWarsday for Starwars Fans

THE GALAXY BRITAIN BUILT: The British Talent Behind Star Wars 

David Whiteley 

Foreword By Robert Watts: Star Wars Production Supervisor And Producer 

Publisher: BearManor Media
Release date: December 11, 2019
ASIN: B081YKQ2P7

https://www.amazon.com/Galaxy-Britain-Built-British-hardback/dp/1629334995

Reviewed by Wesley Britton originally for BookPleasures

David Witeley's exploration into the behind-the-scenes British talent involved with the Star Wars franchise was first made public in a 1917 60-minute documentary broadcast over BBC television.     Google the title The Galaxy Britain Built, and you'll hit on the YouTube and BBC trailers, videos, and interviews conducted by David Whiteley promoting the film throughout 2017 and especially 2018.

If you explore any of Whiteley's online videos or his new BearManor Media book, you'll quickly learn how proud he is to have been born on May 4, 1977, known to fans as Star Wars day. So, in his opinion, he grew up with the franchise and became devoted to investigating how so much Star Wars work took place in Elstree Studios in North London. Why London and not Hollywood? Costs. The studios didn't want to invest too heavily in a science-fiction film as sci-fi hadn't been big box office for them. 

As it turned out, the British talent who worked on the films on the smallest of budgets and the tightest of schedules were just what the project needed, especially in terms of costumes, props, and sets. The results were so outstanding that Lucas returned to Elstreet again and again, using as much of the original talent as he could retain.

Whiteley's book chronicles to beginnings of the British work in the hot summer of 1976 through undreamed of sequels produced decades later. The stories are built on interviews with participants even the most devoted Star Wars aficionados might not have heard of: These include Robert Watts, Les Dilley, Nick Maley, Roger Christian, Peter Beale, Gareth Edwards, Colin Goudie and Louise Mollo. 

All of those involved contribute so many anecdotes about how the Star Wars mythos came to be. For example, Roger Christian tells us, "We called it the laser sword because we were British! I knew the lightsaber was the Excalibur of this film! I knew it would be the iconic image . . . I went to Brunnings on Great Marlborough Street in London, whom we rented all our film equipment from: photography, anything we needed, and I’d buy equipment there. I just said to the owner, ‘Do you have anything here that’s unusual, or stuff that might be interesting?’ He pointed me over to the side of the room. He said, ‘There’s a load of boxes under there, I haven’t looked at those for years, go and have a rummage through.’ And it was the first box, it literally was covered in dust. It hadn’t been out for, I don’t know, fifteen or twenty years. I pulled it out, opened the lid and there was tissue paper and then when I pulled it open . . . out came a Graflex handle from a 1940s press camera. I just took it and I went ‘There it is! This is the Holy Grail.’"

The Galaxy Britain Built is page-after-page of such nuggets and revelations.  I imagine many diehard Star Wars fans will have heard many of these stories before. But I doubt all of them

Without question, you got to be a serious Star Wars fan to one degree or another to want to dive into this book, no matter how much you think you already know about the production history of the saga.    It's a fast read as we get one short chunk of one interview, then another, then another, and so on.  I definitely had a feeling I was taken behind the sets and scripts and actors to see how a galaxy far away had been built with a deepened sense of just how collaborative moviemaking is. If that sort of stuff is your cuppa tea, then David Whiteley's book is just for you.

This review first appeared at BookPleasures.com on Sun. Jan. 12, 2020:

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Dr. Wesley Britton, is a frequent reviewer for The New Book Review, author of The Beta Earth Chronicles and reviewer for BookPleasures.com.  Learn more about his and his work: 

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 The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. Of particular interest to readers of this blog is her most recent How to Get Great Book Reviews Frugally and Ethically (http://bit.ly/GreatBkReviews ) that covers 325 jam-packed pages covering everithing from Amazon vine to writing reviews for profit and promotion. Reviewers will have a special interest in the chapter on how to make reviewing pay, either as way to market their own books or as a career path--ethically!

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