TITLE: Heaven
AUTHOR: Mieko Kawakami (Translated from Japanese by Sam Bett and David Boyd)
GENRE: Literary Fiction
AGE / INTEREST LEVEL: Adult
ISBN: 1609456211 (ISBN13: 9781609456214)
PAGE #: 192
PUBLISHER: Europa Editions
A LINK TO WHERE THE BOOK MAY BE PURCHASED: https://www.amazon.com/dp/1609456211?tag=reedwebs-20&linkCode=ogi&th=1&psc=1
Reviewed by Linnea Gradin originally for Goodreads
Mieko Kawakami’s Heaven is a short novel with a deceptively simple set-up. Following an unnamed 14-year-old narrator maliciously nicknamed Eyes because of his lazy eye, Kawakami’s second novel (or third including the novella Ms Ice Sandwich) to be translated into English is an account of cruel and senseless bullying. It’s a complete shift in both theme and scene from her hugely successful Breast and Eggs, but just as thought-provoking and unflinching in its execution.
Heaven opens with the narrator receiving an anonymous note in school. Upon reading “we should be friends” he is suspicious, yet hopeful — instantly introducing the reader to the narrator’s inner world and the psychological effects of abuse. It turns out that the note is from Kojima, his female classmate who, like him, is a victim of bullying. Leaving each other notes and eventually working up the courage to meet in person, the two form a bond based on their shared struggles and a mutual longing for human connection. Throughout, I desperately wished for this to be the start of a beautiful friendship, but was left uncomfortably waiting for the other shoe to drop.
The narrator is shackled by a profound and frustrating sense of powerlessness but Kojima, in an attempt to rationalize their experiences, has devised a philosophy of her own: “I bet we could make them stop. But we're not just playing by their rules. This is our will. We let them do this. It's almost like we chose this.” She desperately clings to the idea of agency and their victimhood as a “sign” of a higher understanding of pain. This notion sets her on a path of self-destructive martyrdom. As both the narrator and Kojima search for answers where there are no satisfying ones to be found, your heart breaks for them.
Through the narrator’s interaction with Kojima and, later in the novel, one of his bullies, Kawakami manages to make these discussions feel true to the characters’ age, while deftly exploring several perspectives on bullying and cruelty. Their exchanges range from the trivial and banal, to the deeply meaningful. At times, I found that Kawakami has sacrificed believability in order to fully explore these contrasting philosophies and ideas, delivered in ladened dialogue. Despite this, the bullying and its effects never feel anything but horrifyingly real and true to life. Leaving sentimentality behind, Heaven is a perfect example of how creative writing can make suffering intelligible to others, expertly capturing the savage cruelty children are capable of. The use of the lazy eye as a metaphor is also quite apt, as the narrator observes his surroundings but lacks some necessary depth of perception. As he contemplates the opposing notions that Kojima and his bully represent, he asks himself whether his lazy eye is central to who he is, or whether it ultimately makes little difference to his bullies in a world which favors the strong.
In the end, it is Eyes who must decide which philosophy speaks to him more — whether to follow the self-destructive path that Kojima is walking or whether he can find solace in the utter meaningless of it all. Excavating the many layers of bullying, Kawakami lets him make his choice in the last few pages of the novel and boldly suggests that liberation might perhaps be best found in the absence of meaning and fate. It is, in many ways, a perfectly imperfect ending.
Despite the age of the protagonists, this novel is not published for children. It offers very little hope for goodness in the face of everyday evil, and the descriptions of both physical and emotional violence are disturbing. While ruminating on the meaning of the pain of adolescence, Kawakami doesn’t offer any easy or comfortable answers, making this far from a pleasure to read. There’s no empowering message about how the brutal antagonism the characters face will ultimately make them stronger, nor does it harp on the virtues of empathy. Instead, Kawakami excels at presenting countering arguments without picking sides, staying faithful to the voice of the narrator and simply but powerfully depicting his despair. Like most great authors, she knows how to make something small and invisible shift inside you without you even noticing. The writing is confrontational and bleak, and though Kawakami’s voice is not as defined as in Breasts and Eggs, Heaven is sure to leave just as lasting an impression on its readers.
⭐⭐⭐⭐
More About the Reviewer
NAME OF REVIEWER: Linnea Gradin
ORIGINAL PLACE THE REVIEW WAS PUBLISHED:
https://www.goodreads.com/review/show/3958173318
Linnea Gradin is a writer for Reedsy, a UK-based company in the self-publishing sector connecting authors with freelancing publishing professionals. She has a Masters of Philosophy in Sociology from the University of Cambridge, and is working towards a second degree in Publishing Studies at Lund University. Needless to say, she has a passion for everything reading but is especially interested in translated literature.
Twitter: @_linneagradin
EMAIL: linnea@reedsy.com
