Caleb's CrossingAuthor - Geraldine Brooks
ISBN 978-0670021048
Author website http://www.geraldinebrooks.com
Historical fiction
Reviewed by Holly Weiss originally for Amazon
Five of five stars
The best historical fiction takes historical fact and pulls us in by creating interest in characters of the time period. Pulitzer Prize winner Geraldine Brooks is one of the most versatile historical fiction writers of today. Her talent lays in takes a slice of history and creating a world we long to enter. Imaginatively conceived and exquisitely written with compelling characters, Caleb’s Crossing will command your attention and demand your respect.
1660. Great Harbor (now Martha’s Vineyard), Massachusetts. Bethia Mayfield anticipates the arrival of Caleb, a member of the Wampanoag tribe, to her home for tutoring with her minister father. Unperceived by her family, she and Caleb, who share a love of nature, have learned each other’s languages and formed a friendship over the past few years. Her brother and Caleb, the first Native American to do so, enter Cambridge to prepare for studies at Harvard. Bethia feels at a loss when she leaves Martha’s Vineyard to become a servant in the headmaster’s home. Her love of learning prods her secret vigilance in listening to all the lessons.
You will find yourself reading in a leisurely fashion to fully savor the evocative prose. “And then I woke, on my cold pallet in this stranger’s kitchen, with ice winds from the cracked window fingering my flesh and a snowflake melting slowly on the fireless hearth.”
The characters are absorbing. The soulful narrative voice of Bethia has an ethereal quality. She is haunted by guilt, taking upon herself blame for a smallpox outbreak, a death during the delivery of a baby—all because of her secret relationship with Caleb. Caleb yearns to be a Pawaaw, or healer of his people. For him, knowledge respects no boundaries. He glows with appreciation of life, zest for learning, curiosity and love of nature.
Integral elements of the remarkable Caleb’s Crossing are joy in learning, unexpected death, heartbreaking starvation, and the ever-present bond between Caleb and Bethia despite all hardship and prejudice against their bond. Knowledge equals power in this unique book. Caleb says, “And since it seems that knowledge is no respecter of boundaries, I will take it wheresoever I can…if necessary, I will go into the dark to get it.” Intrigued?
The release of Caleb’s Crossing coincided with an important Harvard University event. A degree will be awarded in May to Tiffany Smalley, the first Martha’s Vineyard member of the Wampanoag tribe since Caleb to graduate. An official portrait of Caleb will be painted in commemoration.
To what does Caleb cross? Read Caleb’s Crossing to find out. In the book, Ms. Brooks highlights this question: What are the effects of attempting to Christianize an already spiritual, established civilization? Her own opinion is not expressed. Instead, she tells Caleb’s story with forthrightness and clarity, allowing the reader to draw his own conclusions.
I thank Viking for providing a copy. The opinions expressed unbiased and solely that of the reviewer.
Reviewed by Holly Weiss, author of Crestmont.
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
This blog, #TheNewBookReview, is "new" because it eschews #bookbigotry. It lets readers, reviewers, authors, and publishers expand the exposure of their favorite reviews, FREE. Info for submissions is in the "Send Me Your Fav Book Review" circle icon in the right column below. Find resources to help your career using the mini search engine below. #TheNewBookReview is a multi-award-winning blog including a MastersInEnglish.org recommendation.
Tuesday, August 23, 2011
Monday, August 22, 2011
Lovers of Greek Mythology Alert!
The Niobe Trilogy from the Tapestry of Bronze series
Authors: Victoria Grossack & Alice UnderwoodAuthors’ Website: www.tapestryofbronze.com
Genres: Historical Fiction/Greek MythologyChildren of Tantalus: Niobe & Pelops – ISBN-13 978-1456368906
The Road to Thebes: Niobe & Amphion – ISBN-13 978-1456415914
Arrows of Artemis: Niobe & Chloris – ISBN-13 978-1456460587
Reviewer name: Barry Brake. Note that this review originally appeared at Amazon.com with 5 stars. Reviewer’s website: www.barrybrake.com
The Tapestry of Bronze novels recast familiar and unfamiliar stories set in Bronze Age Greece in the form of novels. In so doing, they also yank the tropes of mythos into the tropes of the novel in ways that surprise and inform, deepen our understanding of a very foreign time, and, not least, delight the reader with just about every page.
One of their favorite tricks is what Viktor Schklovsky called ostranenie: "strangemaking." They'll plop you down in a scene and let you take in its unfamiliar combination of the barbaric and the civilized, and let you get hooked on whatever thing happens to be going on, and only a beat later allow you to realize that you are indeed in the middle of a familiar scene from myth or legend -- the quiz of the Sphinx, the slaughter of the Niobids -- and seeing it for the first time. After enough of this, you realize how conveniently we imagine ancient Greeks as people just like us only costumed. The truth is wilder and weirder, and far more interesting, and the result of seeing it is that we begin to see ourselves for the first time as well.
I especially enjoy the way the authors create such realistic nodes between the rational and the mythical: things that, one sees, can easily be explained by the natural language of a modern novel but are also easily explained by the supernatural language of the mythical mind. Lesser authors would simply use this trick to rob a story of its magic, or explain away some phenomenon; with Underwood and Grossack you feel again and again as if a black-and-white photo has been made into full color.
I'll also point out that when you buy these books, which are published by CreateSpace, you're helping affirm a new relationship between author and audience that suits our new century well, and points toward a solution for revitalizing all kinds of art in a way that finally makes economic sense for both author and audience.
One of the great pleasures of civilization is to sit down with a storyteller you know will absorb and satisfy. Thanks to Underwood and Grossack, we now have several more books on our shelf that provide just that pleasure----- The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
One of their favorite tricks is what Viktor Schklovsky called ostranenie: "strangemaking." They'll plop you down in a scene and let you take in its unfamiliar combination of the barbaric and the civilized, and let you get hooked on whatever thing happens to be going on, and only a beat later allow you to realize that you are indeed in the middle of a familiar scene from myth or legend -- the quiz of the Sphinx, the slaughter of the Niobids -- and seeing it for the first time. After enough of this, you realize how conveniently we imagine ancient Greeks as people just like us only costumed. The truth is wilder and weirder, and far more interesting, and the result of seeing it is that we begin to see ourselves for the first time as well.
I especially enjoy the way the authors create such realistic nodes between the rational and the mythical: things that, one sees, can easily be explained by the natural language of a modern novel but are also easily explained by the supernatural language of the mythical mind. Lesser authors would simply use this trick to rob a story of its magic, or explain away some phenomenon; with Underwood and Grossack you feel again and again as if a black-and-white photo has been made into full color.
I'll also point out that when you buy these books, which are published by CreateSpace, you're helping affirm a new relationship between author and audience that suits our new century well, and points toward a solution for revitalizing all kinds of art in a way that finally makes economic sense for both author and audience.
One of the great pleasures of civilization is to sit down with a storyteller you know will absorb and satisfy. Thanks to Underwood and Grossack, we now have several more books on our shelf that provide just that pleasure----- The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Saturday, August 20, 2011
Political Thriller Highly Praised
ETA - Estimated Time of Arrest
A novel by Delphine Pontvieux
Author's Web site: http://www.missnyet.com
Genre: ThrillerMiss Nyet Publishing
ISBN: 9780984217601
Winner of Indie Excellence Book Award 2011 - thriller category
Also 2010 recipient of French in Chicago community award in the Arts andculture category
Author's Web site: http://www.missnyet.com
Genre: ThrillerMiss Nyet Publishing
ISBN: 9780984217601
Winner of Indie Excellence Book Award 2011 - thriller category
Also 2010 recipient of French in Chicago community award in the Arts andculture category
Review by: Jason Pettus for the Chicago Center for Literature and Photography
Rrating: 8.9 of 10: 8.9: 9.4 for fans of political thrillers
As I've said here several times before, I think it unfair to directly compare the worth of a book by a full-time writer on a major press with one by a part-time self-publishing author, if for no other reason than the tremendous amount of editorial advantages held by the former -- after all, a full-time author signed to a large publishing company will have at least a full-time editor, copy editor, proofreader and agent at their disposal, all of them making fine-tuned changes to that manuscript that a self-published one simply doesn't receive, not to mention the entire army of student volunteers that full-time writers sometimes have if they are a professor as well, which they are in so many cases. So it's always a real delight to come across a book like Delphine Pontvieux's ETA: Estimated Time of Arrest; because although you should be aware from the start that it's not much more than a beach-and-airport political thriller, it's a good enough one that it could literally be picked up right this second by Random House for a million-copy print run with no changes needed, a rare occurrence for a book like this which is basically one step above being self-published. (So that is, it's put out by an actual company called Miss Nyet, but which was started by the author specifically to put out this book, the situation that many people are referring to when they use the term "basement press.")
And in fact I suspect one of the reasons this book is so effective is that it's set in a milieu that's rarely discussed here in the US; that of the Basque separatists who live in the borderland between Spain and France, a place that the French-born, globetrotting Pontvieux (now a Chicagoan) is obviously quite familiar with, and which turns out makes for an almost perfect setting in which to base an exciting political potboiler. For those who need a little primer (and forgive me if I get some of this wrong -- I'm getting most of my info from the novel itself), you can think of the situation in Basque in much the same terms as the more well-known Northern Ireland; for a long time a tiny independent nation surrounded by the various Great Powers (much like its nearby neighbors Monaco and Luxembourg), during the fascist Franco years it was taken over by Spain and subjected to a brutal process of assimilation, which like the Irish Republican Army (or IRA) inspired the formation of a paramilitary nationalist organization, known there as the ETA. But by the 1990s, twenty years after the fall of the Franco regime, a compromise of sorts had been struck, which gave the Basque region an autonomous political status while still officially remaining a part of Spanish and French territory, with an end to imperialistic hostilities and the official public right again to celebrate Basque history and culture; and again, much like the IRA, it was at this point that even more and more locals started questioning the effectiveness or even need of a continued ETA, making them much more controversial and not nearly as automatically supported by separatists as when they were fighting literal fascists hellbent on destroying them.
And like the best political thrillers, Pontvieux takes no official sides in ETA, but rather uses the complex situation itself to tell an epic and far-reaching story, essentially centered around a young good-guy named Lorenzo Izcoa, swept up as a teen into the romanticism of the paramilitary movement but then eventually falsely accused of blowing up a police station, during a mass protest that turned chaotic. Like the early work of Tom Clancy, then (which I happen to like a lot), Pontvieux uses Izcoa's situation to examine a whole series of communities and locations related to the issue of Basque independence -- from rural Mexico where he spends time as a fugitive, to the alps of southern France where he is brought in by the group to do one last favor, from a mountain hippie community full of environmental activists to the weary police inspectors of big-city Espana. Pontvieux uses all these settings to examine the issue of Basque separatism and terrorist violence from all kinds of different angles, thankfully enfolding these more philosophical issues into the action itself, instead of simply lecturing us like so many mediocre political thrillers do; and along the way, she bases an important aspect of the plot on her personal love for freehand rock-climbing, a natural addition within the beautiful yet treacherous mountain terrain of southern France and northern Spain where our story largely takes place.
Now, like I said, this is a genre project through and through, and you will need to be an existing fan of people like John LeCarre to have even a chance of enjoyingETA; but as far as that's concerned, this is definitely on the high end of the quality scale for that genre, a quickly-paced page-turner that I imagine most fans of political thrillers will find themselves flying through. What a great week it always is when I get a chance to stumble across a book like this, one that far exceeds both my expectations and its publishing circumstances. It comes highly recommended today to those who are fans of such work.
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Friday, August 19, 2011
The Inscrutable Life of a Spy
Title: A Spy At Home
Author: Joseph M. Rinaldo
Website: www.josephmrinaldo.com
Genre: Contemporary Fiction
ISBN: B0033WSVVC
Reviewed by Citizen John, originally for Amazon
Reviewer's Rating: 5-star
This review is from: A Spy At Home (Kindle Edition).
"The Number One lesson for a band, it is said, is to get off stage
while the audience still wants you. A Spy At Home is like a Grisham
novel exiting stage right just as the subconscious mind tells you this
is not really fiction. I'm ready to read more by Joseph Rinaldo.
Spies like Garrison, the protagonist, have a tendency to become their
legend, their claimed background or biography. They support it by
documentation, memorization and years of life experience. They live
what they project. One of Garrison's tradecrafts is moving and hiding
large funds clandestinely. However, Garrison assumes caregiver
responsibilities and that changes everything.
I was unsure whether Garrison is an unusually caring man or if so much
of his time was window dressing. He could not easily have selected a
better cover story to convince observers that what they are observing
is genuine. My suspicions were confirmed that there would be a wet job
well into the approximately 125-page story. Even now I think about
this story and wonder where reality ends and fiction begins."
Thank you for the opportunity to promote my ebook by submitting this review.
Joe Rinaldo
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Author: Joseph M. Rinaldo
Website: www.josephmrinaldo.com
Genre: Contemporary Fiction
ISBN: B0033WSVVC
Reviewed by Citizen John, originally for Amazon
Reviewer's Rating: 5-star
This review is from: A Spy At Home (Kindle Edition).
"The Number One lesson for a band, it is said, is to get off stage
while the audience still wants you. A Spy At Home is like a Grisham
novel exiting stage right just as the subconscious mind tells you this
is not really fiction. I'm ready to read more by Joseph Rinaldo.
Spies like Garrison, the protagonist, have a tendency to become their
legend, their claimed background or biography. They support it by
documentation, memorization and years of life experience. They live
what they project. One of Garrison's tradecrafts is moving and hiding
large funds clandestinely. However, Garrison assumes caregiver
responsibilities and that changes everything.
I was unsure whether Garrison is an unusually caring man or if so much
of his time was window dressing. He could not easily have selected a
better cover story to convince observers that what they are observing
is genuine. My suspicions were confirmed that there would be a wet job
well into the approximately 125-page story. Even now I think about
this story and wonder where reality ends and fiction begins."
Thank you for the opportunity to promote my ebook by submitting this review.
Joe Rinaldo
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Thursday, August 18, 2011
Simon Barrett Reviews Chip Wagar's Historical Novel
Title: An American in Vienna
Author: Chip Wagar
Genre: Historical Fiction
Website: www.anamericaninvienna.com
ISBN: 978-1-4502-6766-3
Publisher: iUniverse, January 26, 2011
Reviewed by Simon Barrett for Blogger News Networt: Book Review
Fiction is a hard taskmaster. The author must weave the fiction elements into the harsh reality of the facts. When done well (a rare occurrence) you have a book where fact and fiction blend so well that the reader does not know where one ends, and the other begins.
These are lofty goals. But there is one even higher. Weave fact and fiction together and create a work that not only entertains but also teaches. I found that in Chip Wagar and his debut novel An American In Vienna.
The First World War or Great War has been written about many times. Authors have labored long and hard on books about the battlefront, the inhumane conditions, the horrible torture that those brave men faced. Few authors though dare to tread in the ‘back story’. How did a gun shot start a conflict that consumed the Western World for four years?
Chip Wagar has taken a very unique approach. Through the eyes of a vacationing young American visiting Vienna we are exposed to how this war escalated and forever changed the world map.
Andy Bishop has just graduated from Notre Dame with a degree in journalism. His plan is to join his father in the family business, a newspaper in Columbus, Ohio. However before he ’settles down’, he wants to explore Europe, most particularly Austria, which seems to be where the family roots are. And when an invitation is extended to visit these relatives Andy sets sail for the adventure of his lifetime.
Andy Bishop quickly discovers that his Viennese cousins are not regular middle class merchants and bankers, but rather members of Austrian aristocracy with close toes to the Kaiser himself.
The brutal slaying of the Archduke Franz Ferdinand and his wife Sophie sets the wheels in motion for world war one. This information is hardly new, and almost any High Schooler will recite this fact. But what is far less well understood is why this senseless murder was so pivotal in shaping the events of the ensuing months.
1914 might in retrospect seem a poor choice of date to visit Europe, but minor skirmishes between countries had been going on for hundreds of years!
Chip Wagar is to be congratulated, he has taken a very complex political history subject and presented it in a fashion that any reader will enjoy.
Using the character Andy Bishop as the storytelling conduit is a master stroke, it is sheer brilliance. Andy being an American is at best naive as to the the politics in Austria, and in the rest of Europe
Through Andy Bishop we meet Johann and Maria. Johann is the the young and debonair aide-de-camp to Franz Ferdinand, and Maria his aristocratic, but very forward thinking fiance. It could be argued that what results is a love triangle, but it is very far from the standard one. I prefer the term Dynamic over Love Triangle. There is a unique dynamic between these three people.
An American In Vienna is a very unique book. There are three ways to approach Historical Fiction, live the life vicariously through other books, and increasingly resources found on the Internet. The second approach is write about an area that you spent at least a little time in, this allows you the luxury of being able to describe the location with a sense of ‘being there’.
The third approach is the rarest and always most effective, total immersion.
An American In Vienna is clearly written using ‘total immersion’. The dead giveaways are found in the very opening pages. It is the minutiae of everyday life that is mentioned. ‘Hoch’ German is not so much a dialect of speech as it is a lifestyle.
I talked to Chip Wagar a little about An American In Vienna, my guess about ‘immersion’ was correct, Chip spent a considerable amount of time in Vienna as a student.
An American In Vienna is well worth the price of admission, it is a book that has wide and diverse appeal. You can read it as a great adventure novel, or you can read it as a very interesting discussion of the causes and in someways effects of World War One viewed from the Austrian perspective.
A saying popped into my mind when I put this book down, ‘there are three views about any situation, there is mine, there is yours, and there is the truth which lays somewhere in between’. I am a fan of history, but as George Orwell alludes to in 1984, the history books are written by the victors.
You can get your copy of this very thought provoking book by using the Amazon link above. This is a book destined for great things.
----- The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Wednesday, August 17, 2011
Deb Hockenberry Reviews Quirky Kids Zoo
TITLE: Quirky Kids Zoo
AUTHOR: Pat Brannon
PUBLISHER: Wandering Sage Publications http://www.wanderingsagepublications.com
FORMAT: Paperback
PAGES: 32
PRICE: $11.99 (US), £7.46 (UK), CDN$ 11.39 (CA)
ILLUSTRATOR: Jimena Pinto-Kroujiline http://www.amelia2.blogspot.com
ISBN – 10: 1933300833
ISBN – 13: 9781933300832
Hi! Welcome to a different kind of zoo. We’re going to see some strange sights. What’s that you say? What kind of strange sights? Well never fear, there’s nothing scary here.
Do you have you camera ready? You can take pictures of different things here. What’s different here? Look over there; did you ever see porcupines with fur so soft? Let’s walk down this walk. Look over there. See the elephants playing leapfrog with the ants? See the gorillas roller skating? There’s a lot to take pictures of in this quirky zoo!
Children and adults both will love this book by Pat Brannon. Children will love laugh at the quirky kids’ zoo’s inhabitants. They will love the fact that they can help read the book by counting. Adults will love the rhyming story because it teaches kids to count from one to twenty five. Both parents and children will love the imaginative and silly antics (like gardening kangaroos) of the inhabitants. This interactive book makes reading time fun!
The brightly painted illustrations by Jimena Pinto-Kroujiline brings this delightful rhyming story to life.
I loved reviewing this children’s book and highly recommend it. It’s so imaginative and just a pleasure to read. From beginning to end, the Quirky Kids Zoo kept a smile on my face!
To learn more about Pat Brannon, just visit her website. You’ll find it at: http://www.patbrannon.com. While you’re visiting websites, you can visit Jimena Pinto-Kroujiline’s website at: http://www.amelia2.blogspot.com.
You can purchase Quirky Kids Zoo for your children or grandchildren at a variety of places. Among them are: http://www.amazon.com or http://www.barnesandnoble.com in the United States. In Canada you can go to http://www.amazon.ca or pick it up in the United Kingdom at: http://www.amazon.co.uk.
~Reviewed by Deb Hockenberry
The Bumpy Road http://thebumpyroadtopublishing.blogspot.com
Deb's Book Reviews http://debsbookreviews.blogspot.com
"When God closes a door, He always opens a window."
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Tuesday, August 16, 2011
Excerpt from a Book with Staying Power
Spanish Mountain Life
Juliette de Bairacli Levy
#3 in series
Ash Tree Publishing
Available at www.wisewomanbookshop.com
Note: Because this book is a re-release, The New Book Review is publishing an excerpt from titled The Gypsies to give readers a taste of why it has the staying power it does:
Excerpt from Spanish Mountain Life
----- The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Juliette de Bairacli Levy
#3 in series
Ash Tree Publishing
Available at www.wisewomanbookshop.com
Note: Because this book is a re-release, The New Book Review is publishing an excerpt from titled The Gypsies to give readers a taste of why it has the staying power it does:
Oh, that flamenco singing of the night of Saint Juan! The age-old passion and frenzy and grief of the Moors within, and without, the howl of the winds from barren Spanish plains and mountain heights, the croon of mountain streams and pouring fountains. And the beat of the tambours: tambours for war and tambours for love.
Not one of the family of the water-mill came to visit Luz that night. Patrocinio, who had mothered my baby for nearly two months and must know that she was passing from life, was too busy selling wine and soda drinks to the people making fiesta. Alone, Señor Jose came faithfully to bring me water from the fountain, and to carry Rafik — who was overcome by sleep while enjoying the revelry — from the courtyard to his bed.
The old woman, El Antigua, came around midnight with her daughter, declaring that I should not be alone at such a time. The daughter, Pura, told me that her own child, Carmen, had been abandoned by the doctors but had recovered. I knew Carmen well and admired her for her vivacious nature and the brightness of her singing as she washed clothes in the river. Pura said that she would send for Carmen to confirm this and thus to give me faith.
Carmen came later, around one in the morning, and confirmed her mother’s account of her near death, and told me that she had a premonition that Luz, also, would not die. Then the Gypsies left my room for I told them that I would not steal their sleep; I knew they all had work to do on the morrow; and furthermore Rafik was company. No matter that he was asleep; my little lad was company and also inspiration. I was inspired! The baby had much pain from the weeks of faulty diet and improper care. Her pain had kept her from sleep for a day and a night. I suddenly bethought myself of a group of white opium poppies which I had seen in flower in the upper mill garden. Those poppies were certainly part of that night of Saint Juan, for they died away then and never came again, while I was at the water-mill, and I don't remember seeing them in flower before. I made a brew of the gray-green heads from which the white petals had fallen, and gave Luz sips of that medicine mixed with honey. This very quickly lessened the pain, but I knew that it was a desperate and dangerous medicine, for it made yet colder her already over-cold body. But she did not die. That night of Saint Juan she was as cold and white as the opium poppies themselves, but she did not die.
The next day she remained the same, but with the night, she suddenly worsened. That was the crisis. I remembered that the Gypsy Carmen had not died and she had promised that Luz would not die. I sent for the doctor, wanting him to check her heart and respiration; and then the great wound came to me. He said, in quick Spanish to Patrocinio, that Luz was dying and she must be prepared for this. “Cuando?” (When?), I asked of him, and his face paled at my having heard his words and at the way my voice sounded. “Any hour,” he replied, lowering his eyes. I will not write about the symptoms of life’s ending which I saw upon my baby. But well I recall my quite childish words. “I will not let her die!” I cried. I held Luz against my heart. I was like a child about to be deprived of a doll which she loved. I would not give her up to anyone; I would not.
Dr. Moran said that Luz must have penicillin injections. That was a great test for me. I am absolutely opposed to injections. Always they are a shock to the body and do much damage to the nerves. Any medicine of any value at all should be able to be taken into the body by the mouth: the natural place for medicines. But penicillin is at least plantlike and was not evolved from cruel experiments on animals, therefore I agreed to that medical treatment. I also continued with the opium medicine, and a further brew of dill seed with much honey, to save the tiny laboring heart. The following day a different doctor suggested tissue infusions of the medicinal water of Lanjaron. To this, also, I agreed. Which part of the treatment saved the baby, I do not know. But she lived! As with Rafik, so Luz’s illness also passed. The dawn came, the swallows twittered, and my baby lay safe in her Gypsy cradle. Personally, if I were to choose the treatments which I think most helped her, indeed saved her, it would be the three days’ fasting from all food, combined with an external treatment which I had learned a summer ago from Portuguese fisher-women, of massaging the stomach area time and again, night and day, with hot olive oil and pounded aniseed. To me, these were the most important remedies of all the many which kept my baby from death. And further: Fervent prayer, and the good wishes of the Gypsies who came to Luz that night of Saint Juan and thereafter, surely saved her. When the crisis was one week ended, Rosario Heredia, an eighteen-year-old Gypsy girl, came to offer her milk for Luz. She had a son, Juan, born close to the same time as my baby. I remember the birth of Juan: I used to send gifts of goat’s milk for Rosario, who had been rather weak at that time. Luz fed at the gypsy’s breast for nearly one month, until Rosario’s milk became insufficient. It seemed to me a Gauguin picture: Rosario with Luz at her tawny breast, red geraniums in her charcoal-black Gypsy hair, her short strong body squatting — Native American-fashion — upon the green turf by the mill-stream in the shade of the quince trees, which were at that time decorated with their pale green-yellow lamps of fruit. Rosario sang to Luz, songs almost as endless as the chant of the coursing mill-stream, Gypsy songs and other songs of Spain. The one which Luz seemed to like best and which Rosario sang most often was a sweet and simple thing:
Oh green eyes! Green as the eyes of cows,
Green as the first tassels of the wheat
And green as the early lemons.
Rosario had none of the sweetness and kindliness of my other Gypsy friend Maria of the basket-makers. Rosario was tawny and fierce as a tiger; perhaps she reminded me of a tiger because she preyed on others. She was an incurable monger — a Gypsy word for beggar. She came from a mongering family. From her equally tiger-like but very tall mother to her youngest sister, all pestered me for money and articles which I was often in need of for my own family. I never gave to that begging family one peseta. But to Rosario I gave a new green apron, and a green and white skirt which she chose, of exactly the same material and pattern as my own. We looked like sisters when we went into the town together! And I gave her also a gaudy scarf such as the Gypsies love, for her milk had greatly helped my baby. I found Rosario intelligent and humorous and I loved to talk with her because, as with most mongerers, her speech was fanciful. For instance, she told me once of another water-mill which was to be rented. She described a paradise!
By Juliette de Bairacli Levy
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