Title: Wind, Ocean, Grass
Author: Karen A. Wyle
Illustrator: Tomasz Mikutel
Author's website: http://www.KarenAWyle.com
Genre: Picture Book, Nonfiction: Nature \
Age/Interest Level: ages 2-8
Page #: 50
Publisher: Oblique Angles Press
Purchase the paperback at Amazon, https://www.amazon.com/dp/1955696004 and other retailers
Kindle edition coming soon.
By now, readers of my blog are familiar with the work of the talented Karen Wyle. From adult books to children’s picture stories, Wyle’s work is consistently original, lovely, and magical. (If you need a refresher, check out my posts on a number of her previous adult titles and her writing experiences – Twin-Bred, Wander Home, Division, Leaders, and Water to Water in a two-part series of posts – as well as her first few forays into children’s books – You Can’t Kiss a Bubble and When It’s Winter. This latest book is no exception. The focus is on nature, and the results are as lyrical as the movement of the eponymous wind.
In her own words: This unique picture book has neither human nor animal characters, but instead features the wind speaking to the grass, explaining how long grasses are both like and unlike the waves of the ocean. Through lyrical prose and breathtaking impressionist-style paintings, the reader follows the wind’s journey over sea and land: the many moods of the ocean, the different seasons of the grassy field. We see glimpses of the birds that live off the bounty of the ocean, and the birds and flowers that live among the grasses.
Through this nature metaphor, the story, without becoming didactic, teaches children about seeing commonality and celebrating differences.
And if that description doesn’t encourage you to take a look, the lush and evocative illustrations certainly should. For each of her children’s books, Wyle has done an absolutely magnificent job finding the perfect illustrator – and illustrative style – to convey the wonder of her story. Mikutel’s art is visually stunning and provides a counterpoint to the language of the tale that makes both more robust an experience.
I really love the message here. The back and forth between the elements reminded me of the way a parent talks to multiple children about how it is possible to love them each differently but equally – and how the happiness of the parent requires the thriving happiness of each child. I am constantly amazed at Wyle’s knack for taking complex subjects – life, death, love, nature – and putting them into narratives that children can appreciate and that can help parents teach life lessons. It is no easy task, and I applaud her willingness to tackle the large subjects – and her deft hand at managing them.
The book is truly lovely and I encourage you to take a look!
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More About the Reviewer
The reviewer is Jill Franclemont, who blogs at All Things Jill-Elizabeth. Here's the link to the review: http://blog.jill-elizabeth.com/2022/05/09/book-review-wind-ocean-grass-by-karen-wyle-author-and-tomasz-mikutel-illustrator/. The general blog URL is http://blog.jill-elizabeth.com/. Jill has given permission for the review to be reprinted. She's on Twitter as @jill_a. Her email address (which she's allowing me to provide) is jillelizabeth@jill-elizabeth.com.
Author bio:
Karen A. Wyle is an appellate attorney, author, and photographer. She graduated from Stanford University with a B.A. in English and American Literature. Also interested in both logic and psychology, she applied to law school in the hope of combining those subjects with her love of writing. She has been writing novels since 2010, and has published eleven of them, their genres including science fiction, afterlife fantasy, and Western historical romance. Wind, Ocean, Grass is Wyle’s third picture book, with more on the way.
Learn more about her at:
Tomasz Mikutel is an independent artist living and creating art in Northampton, UK. He was born in Lodz, Poland, and began drawing as a child, inspired by his oil painter father. He often paints animals, but his favorite watercolour artists include Alvaro Castagnet and Joseph Zbukvic. He describes his style as classic and traditional. He prefers painting “loose,” as opposed to photorealism: the looser style allows him to express more emotions and to “leave part of himself inside the painting.”
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