Title: The Girl with the Dragon  Tattoo
Author: Stieg Larsson
Genre: Thriller, Mystery,  Crime
 Reviewed by Owen O'Hagan, United Kingdom
 
The Girl with  the Dragon Tattoo
If I’d stopped reading The Girl with the Dragon Tattoo  twenty pages in, when I originally wanted to, I would never have experienced the  compelling, clever and engrossing story that followed. It may get off to a slow  start, but this book will keep you on edge until it’s all you can think about  and you have no choice but read on.
Dragon Tattoo’s central mystery was beyond exciting.  Ageing business-man, Henrik Vanger, employs journalist Mikael Blomkvist to solve  the mystery of his great-niece, Harriet’s, disappearance and the truth slowly  starts to reveal itself. I wanted to know what happened to Harriet, as much as  the characters did themselves. At first, the amount of suspects in her case may  seem overwhelming, but this particular part of the plot remains intriguing  rather than complicated. The writer, Stieg Larsson, who tragically passed away  shortly before the books were published, cleverly introduces characters and will  leave you suspicious of each of them at some point.
Here lies a major strength of the book; its two protagonists.  Blomkvist is a strong main character, who I gradually grew to understand and  like. He has his flaws and is most definitely not the most likable character  ever written, but his investigation into the disappearance of Harriet connects  you to him. I even felt invested in his bazaar, accepted relationship with a  married woman. I felt like I was on the case with Blomkvist and therefore grew  to know him. It was small moments, like his relationship with a stray cat, that  gave him some much needed depth, and made him three-dimensional
The second and perhaps the most unique character I’ve ever  encountered, is Lisbeth Salander - the girl with the dragon tattoo. She’s a deep  character, who is cold and calculated, but there’s something incredibly likable  about her persona.  She’s fiery, and doesn’t let anyone walk over her. It’s  almost endearing. Salander’s sub-plot has likely attracted more attention than  the main storyline itself. She loses her beloved guardian, only for him to be  replaced by a disturbing and horrific monster of a man. This is where Larsson  takes the story to a much darker place. It’s distressing and in your face, but  that’s what’s so strong about the novel; it makes no excuses. Its conclusion is  one of the most satisfying I’ve read, as well as one of the most shocking. 
While Salander’s sub-plot is impressive, the same cannot be  said for the story surrounding the political and financial scandal Blomkvist  faces, thanks to his adversary, Wennerstrom. This very storyline is what put me  off the book after merely reading the first chapter. The pages are full of  information dumps, mostly about finance and business, and will likely go over  the heads of many readers, leaving them bewildered and put off. I was relieved  when the Harriet mystery was introduced, as the scandal was only mentioned  occasionally, becoming background noise. Unfortunately, the mystery surrounding  the Vanger family, that is full of compelling twists and shockers, concludes far  before the end of the book. Instead, the focus returns to the scandal, and my  interest levels dropped by a huge extent. This to me was a vital flaw in the  novel – the main bulk of the book was enticing and gripping, but the beginning  and the end fell flat. This was a disappointment in a book that had potential to  be outstanding.
The Girl with the Dragon Tattoo is at its core, an  incredible thriller. The main mystery will steal your attention until its  shocking conclusion. The characters will have you investing in their motivations  and relationships.  It’s just a shame that it doesn’t do enough to pull you into  the story, and runs out of steam at its end. Please read this book, once you get  past the first few chapters and delve into the mystery, you won’t want to put it  down.
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