Title: Writing the Breakout Novel
Author: Donald Maass
Publisher: Writer’s Digest Books
ISBN: 0-89879-995-3
My Rating - 5 out of 5
Reviewed by Judi Silva
Writing the Breakout Novel is one book that will definitely help you take your fiction writing to the next level. Whether you’re a first time novelist or a published author, Donald Maass can show you how write that novel that will stand out on the bookstore shelves and scream “Read Me!” If you want to find your novel on the best-seller lists, then this writing reference book is a must.
Writing fiction is a whole different ballgame than non-fiction. You have characters that sometimes get a mind of their own, plots that come to a screeching halt in a dead-end alley or times and places that just don’t seem to mesh together for one reason or another. What do you do?
First things first. Grab Maass’ book from out of the collection which stands neatly on your desk and open it up. Start with the encouraging forward by Anne Perry and then dig right in to the first of eleven highly-packed chapters. Be prepared, as the author doesn’t just give you the book to read but shows you how to use it.
You’ll learn how to write your breakout novel by learning the techniques to create your premise, characters, plots and multiple viewpoints, along with honing your skills in developing a theme, pace, voice, endings and much more, including the finer details. Breakout check-lists at the end of each chapter are very helpful in making sure you have everything covered before moving on to the next task at hand. Each component of every element of novel writing is broken down, covering what often goes wrong and how to remedy it. Identify the roadblocks and learn the systematic removal of them. Using other literary masterpieces, cases in point are made to show how it is successfully accomplished.
After you have a completed novel, you will learn how to “break out”, to find and work along with your agent and editor, as you venture into writing the pitch and outline (synopsis). As an author of seventeen novels and more than twenty years of experience as a literary agent, Maas gives sound advice on publishing and beyond.
“Every novel is a world unto itself. It lives, breathes, alternates between day and night, changes, grows and acts upon the characters or is indifferent to them. So build your world!”
Are you ready to take your writing to the next level? Then this book is essential to own.
Reviewed By Judi Silva
judi.silva@gmail.com
http://www.dark-horse-adaptations.com/
Originally published on Assoicated Content: http://www.associatedcontent.com/user/1968/simran.html
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
This blog, #TheNewBookReview, is "new" because it eschews #bookbigotry. It lets readers, reviewers, authors, and publishers expand the exposure of their favorite reviews, FREE. Info for submissions is in the "Send Me Your Fav Book Review" circle icon in the right column below. Find resources to help your career using the mini search engine below. #TheNewBookReview is a multi-award-winning blog including a MastersInEnglish.org recommendation.
Monday, May 25, 2009
Oldie But Essential Book for Novelists
Title: Writing the Breakout Novel
Author: Donald Maass
Publisher: Writer’s Digest Books
ISBN: 0-89879-995-3
My Rating - 5 out of 5
Reviewed By Judi Silva
Writing the Breakout Novel is one book that will definitely help you take your fiction writing to the next level. Whether you’re a first time novelist or a published author, Donald Maass can show you how write that novel that will stand out on the bookstore shelves and scream “Read Me!” If you want to find your novel on the best-seller lists, then this writing reference book is a must.
Writing fiction is a whole different ballgame than non-fiction. You have characters that sometimes get a mind of their own, plots that come to a screeching halt in a dead-end alley or times and places that just don’t seem to mesh together for one reason or another. What do you do?
First things first. Grab Maass’ book from out of the collection which stands neatly on your desk and open it up. Start with the encouraging forward by Anne Perry and then dig right in to the first of eleven highly-packed chapters. Be prepared, as the author doesn’t just give you the book to read but shows you how to use it.
You’ll learn how to write your breakout novel by learning the techniques to create your premise, characters, plots and multiple viewpoints, along with honing your skills in developing a theme, pace, voice, endings and much more, including the finer details. Breakout check-lists at the end of each chapter are very helpful in making sure you have everything covered before moving on to the next task at hand. Each component of every element of novel writing is broken down, covering what often goes wrong and how to remedy it. Identify the roadblocks and learn the systematic removal of them. Using other literary masterpieces, cases in point are made to show how it is successfully accomplished.
After you have a completed novel, you will learn how to “break out”, to find and work along with your agent and editor, as you venture into writing the pitch and outline (synopsis). As an author of seventeen novels and more than twenty years of experience as a literary agent, Maas gives sound advice on publishing and beyond.
“Every novel is a world unto itself. It lives, breathes, alternates between day and night, changes, grows and acts upon the characters or is indifferent to them. So build your world!”
Are you ready to take your writing to the next level? Then this book is essential to own.
Buy.
Reviewed By Judi Silva
judi.silva@gmail.com
http://www.dark-horse-adaptations.com/
Originally published on Associated Content: http://www.associatedcontent.com/user/1968/simran.html
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Author: Donald Maass
Publisher: Writer’s Digest Books
ISBN: 0-89879-995-3
My Rating - 5 out of 5
Reviewed By Judi Silva
Writing the Breakout Novel is one book that will definitely help you take your fiction writing to the next level. Whether you’re a first time novelist or a published author, Donald Maass can show you how write that novel that will stand out on the bookstore shelves and scream “Read Me!” If you want to find your novel on the best-seller lists, then this writing reference book is a must.
Writing fiction is a whole different ballgame than non-fiction. You have characters that sometimes get a mind of their own, plots that come to a screeching halt in a dead-end alley or times and places that just don’t seem to mesh together for one reason or another. What do you do?
First things first. Grab Maass’ book from out of the collection which stands neatly on your desk and open it up. Start with the encouraging forward by Anne Perry and then dig right in to the first of eleven highly-packed chapters. Be prepared, as the author doesn’t just give you the book to read but shows you how to use it.
You’ll learn how to write your breakout novel by learning the techniques to create your premise, characters, plots and multiple viewpoints, along with honing your skills in developing a theme, pace, voice, endings and much more, including the finer details. Breakout check-lists at the end of each chapter are very helpful in making sure you have everything covered before moving on to the next task at hand. Each component of every element of novel writing is broken down, covering what often goes wrong and how to remedy it. Identify the roadblocks and learn the systematic removal of them. Using other literary masterpieces, cases in point are made to show how it is successfully accomplished.
After you have a completed novel, you will learn how to “break out”, to find and work along with your agent and editor, as you venture into writing the pitch and outline (synopsis). As an author of seventeen novels and more than twenty years of experience as a literary agent, Maas gives sound advice on publishing and beyond.
“Every novel is a world unto itself. It lives, breathes, alternates between day and night, changes, grows and acts upon the characters or is indifferent to them. So build your world!”
Are you ready to take your writing to the next level? Then this book is essential to own.
Buy.
Reviewed By Judi Silva
judi.silva@gmail.com
http://www.dark-horse-adaptations.com/
Originally published on Associated Content: http://www.associatedcontent.com/user/1968/simran.html
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Tuesday, May 19, 2009
A Memoir: Love After Death
Title: Love From Both Sides
Author: Stephanie Riseley
Genre: Memoir
How many ways are there to share your life with another person?
In this new release, a memoir by Stephanie Riseley, she shares the deeply emotional story of the continued relationship between her and her husband Dan after his sudden death. Exploring the ways in which love and forgiveness can transcend the boundaries of life and death, the book intends to change perceptions of the emotional and spiritual relationships two people can share.
About the Author:
Stephanie is a writer, a teacher and a hypnotherapist. She studied hypnosis for over 35 years and no, there are no chicken imitations involved. Instead Stephanie has used hypnotherapy to help hundreds of people alter their behavior to lose weight, quit smoking and make other positive life changes.
Author's Websites:
Stephanie Riseley's website: http://www.stephanieriseley.com
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Author: Stephanie Riseley
Genre: Memoir
How many ways are there to share your life with another person?
In this new release, a memoir by Stephanie Riseley, she shares the deeply emotional story of the continued relationship between her and her husband Dan after his sudden death. Exploring the ways in which love and forgiveness can transcend the boundaries of life and death, the book intends to change perceptions of the emotional and spiritual relationships two people can share.
About the Author:
Stephanie is a writer, a teacher and a hypnotherapist. She studied hypnosis for over 35 years and no, there are no chicken imitations involved. Instead Stephanie has used hypnotherapy to help hundreds of people alter their behavior to lose weight, quit smoking and make other positive life changes.
Author's Websites:
Stephanie Riseley's website: http://www.stephanieriseley.com
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Sunday, May 17, 2009
New Writer's Handbook: An Anthology for One's Career
Title: New Writer's Handbook 2007: A Practical Anthology of Best Advice for Your Craft and Career Editor: Philip Martin, Preface: Erica Jong
Publisher: Scarletta Press (June 6, 2007)
ISBN-10: 0976520168
ISBN-13: 978-0976520160
My Rating - 4.5 out of 5
Reviewed By Judi Silva
What is most interesting and attention-grabbing about this book is that it isn’t written by only one author. Rather, it is an anthology of the best and practical advice that writers can use to hone their craft and make a successful career with their writing. Composed of sixty-three articles from almost as many writers (some authors have more than one article showcased), it is a collection no writer should be without. All of the personal websites of each author are listed at the end of their articles. Even more valuable is how each author’s article is filled with quotes and advices they found helpful from other famous authors.
In this review, I have tried to quote a portion of each author’s article to give the reader a good sampling of what is covered in this anthology and hopefully wet their appetite to go out and buy it in order to devour the rest. There is something for everyone, no matter who you are or what you write.
The preface is written by Erica Jong. She points out “the more worldly the world, the more it needs a solitary artist for its own spiritual health. Believe in yourself. You are the soul and the conscience of the world, even if the world doesn’t know it yet.”
Under the first subheading of Creativity, Motivation & Discipline, Jane Yolen encourages the writer to “read everything you write out loud. Put everything in a folder (both computer and printout). Go back over what you have done previously before you begin that day.”
Eric Abrahamson clues us in on The Benefits of Messiness. “People with orderly desks report spending 36% more time finding things. Moderate messiness is completely acceptable and is, in fact, probably superior in a number of instances.”
Especially fascinated with the subject, I appreciated the article Where Do Ideas Come From? Some writers get annoyed with people who ask this question. But, as a writer who tries to turn a situation or experience into a story, I relish the opportunity to answer it.
For instance, one of my ideas came from inside a book I loaned from the local library. It was a novel written by one of my favorite authors, Indu Sundaresan. Not able to wait to reach home to begin reading it, I cracked open the cover on the bus. To my surprise, a portion of a boarding pass for Lufthansa Airlines fell out into my lap. Picking it up, I read what little details I could extrapolate from it and began to imagine who the previous reader of this novel had been and my imagination began to run wild. Instead of reading the book on the way home, I grabbed my journal and pen out of my backpack and began writing one of my own.
Philip Martins, who wrote the abovementioned article on ideas explains, “Where ideas come from then, is a combination of openness, constant seeking and courage. If the writer is tuned into these, the serendipity of ideas coming unbidden can at times seem miraculous.”
Gabriel Gudding, in the article The Cultivation of Mindstates says, “because writing is principally an act of generosity, cultivating an empathetic mindstate, indeed an empathetic temperament will only enhance our desire and ability to write well.”
Dennis Palumbo, who is not only an author but a licensed psychotherapist specializing in the issues of creative writing gives us The Three Cosmic Rules of Writing. “You may at this very moment be feeling scared, frustrated, blocked or discouraged. If so, join the club. Because so does every other writer in the world, even the most successful ones.”
On the topic of Developing Intuition, the creator and president of the National Association of Women Writers (NAWW) Sherri McConnell gives writers five suggestions to do this while also testing your inner guidance.
The Treadmill Journal, according to author Gregory Martin should include five daily entries - date and time, how long you will work, what you plan to work on, how it went and when you will work tomorrow and for how long. He also includes a sample entry.
Do you find yourself wondering how to start your story? Brandi Reissenweber tells writers, “The beginning’s job is to lure. You want to entice the reader into the story and deliver on that enticement.”
Most helpful are the articles entitled Checklist for Characters and Conflict Revision by Gregory Martin and Haiku Techniques of which author Jane Reichhold discusses nineteen of them.
The article by Laura Backes on What Dr. Seuss Can Teach Us was enlightening to me. Did you know for instance that it was in 1954 when a challenge by Pulitzer Prize winner John Hersey was put before Dr. Seuss and others in Life magazine? This challenge, which is discussed in detail led to the publication of The Cat In The Hat.
Maybe you’re trying to break into the world of magazine writing. Marcia Yudkin’s feature on M-Factors - Qualities That Help You Break Into Major Magazines will not only pique your interest but give you the five different factors important to your success in this field.
Is it nonfiction scenes that have your shorts in a bunch? Then check out Larry Getlen’s Recreating Nonfiction Scenes. Quoting author Julian Rubenstein he says, “you can’t write narrative reflection unless you have the material. You have to know everything. Then, and only then, can you decide what is best to illustrate your story.”
Linda Formichelli follows up with Getting The Tough Interview.
For journalists, Ray Peter Clark discusses The Line Between Fact and Fiction with strong advice and elaboration on the two cornerstone principles of “Do Not Add” and “Do Don’t Deceive”.
Lynn Franklin covers the importance of The Psychological Action In Nonfiction and how it increases the power of the story. By “bringing the reader close to the psychological action you help them to empathize with the character.”
The next three authors, namely W. Terry Whalen, Linda Adams and Judy Bridges advice writers about critique groups, both joining and running one along with creating snappy introductions for a successful one.
The quest for information/articles on the topic you want to write about is undertaken in Marylaine Block’s entry My First Rule of Information. She gives helpful advice on where to go to find what you need.
Eight articles appear in the Pitching & Proposals section. Resources are included with samples of pitches, query letters and proposals, along with a do’s and don’t and what to remember lists. Rounding it all out are the remaining two articles in this section - How to deal with a small press and understanding editorese.
Marketing Your Work is the section which follows. Learn how to create a successful press kit and how you as a writer can help your publisher with marketing by taking all the listed opportunities available to you. Both short and long projects are clearly defined.
The article on How To Get Great Testimonials lists seven tried and true styles to finding the right people and asking them for want you want. “Testimonials are a workhorse tool for your book marketing effort,” says author Jay Lipe.
Helpful step-by-step instructions are listed on the subject of Planning Author Events in Bookstores. After you’ve planned your event, take advantage of the tips to make sure it’s a well-attended event. This is especially true if the majority of your audience is international, such as was the case with author Jenna Glatzer. She discusses the nine best ways, which she found through trial and error, that work for her.
Not to be overlooked are the important topics of focusing on Niche Markets and The Potential of Tips Booklets by Kate Bandos and Paulette Ensign respectively.
One of the known experts on Writing White Papers, Michael Stelzner explains exactly what a white paper is, why they matter, why you should care about them, how they are used, and who reads them. The emergence of white papers as marketing tools and their standards are also considered.
Deborah Raney gives numerous ideas on how you can have a “positive influence” on both the life of your book and you as an author.
Being Internet savvy these days is a must for authors. Your own website will be not only the core but the starting point for an online book promotion, in order for you to target a larger audience than just those locally.
The five major steps which need to be taken to acquire a successful website are outlined by Patrice-Anne Rutledge. Moira Allen helps the writer create on online portfolio and talks about what to keep in mind when posting clips.
Have you started blogging yet? Creative Consultant Lani Voivod will explain why it is imperative to do so “if you have a passion, specialty, niche, mission or business.” Steve Weber continues with the same line of thought in his article Fundamentals of Blogging.
A concise, detailed explanation of the 10 Tips on Writing the Living Web have been compiled by Mark Bernstein.
Developing a catchy email signature is the topic of conversation with Linda Formichelli.
The last section of the anthology, barring the two appendices (Editor’s Afterward and Publication Credits), is titled Literary Insights and Lost Words. It encompasses ten articles by ten authors. Writers will learn How To Speak A Book with Richard Powers.
The articles Books As A Gateway Drug, Time Traveling By Words, Music and Arts, and Literary Fiction all appear in rapid succession. We then reach Katha Pollitt’s comical Thank You For Hating My Book.
No matter where we hail from, our culture and heritage has its own distinct language. “It is a language,” concludes Barry Lopez in Discovering Home Ground, “that keeps us from slipping off into abstract space.
Go Into The Light with Mike Silva and be content with Being A Minor Writer with Bruce Holland Rogers.
When all is said and done, Mary Pipher’s Writing In A New World cautions writers that sometimes language can be a weapon in itself. “We weaponize it when we use it to objectify, depersonalize, dehumanize and create an “other”.
Philip Martins sums things up by expressing the sentiments that “writing is a gift and we should try to use it for good. Take it seriously but don’t forget to laugh at yourself. Good writing comes from great passion and personal dedication.
Buy
Reviewed By Judi Silva
judi.silva@gmail.com
http://www.dark-horse-adaptations.com/
Originally published on Associated Content:
http://www.associatedcontent.com/user/1968/simran.html
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Publisher: Scarletta Press (June 6, 2007)
ISBN-10: 0976520168
ISBN-13: 978-0976520160
My Rating - 4.5 out of 5
Reviewed By Judi Silva
What is most interesting and attention-grabbing about this book is that it isn’t written by only one author. Rather, it is an anthology of the best and practical advice that writers can use to hone their craft and make a successful career with their writing. Composed of sixty-three articles from almost as many writers (some authors have more than one article showcased), it is a collection no writer should be without. All of the personal websites of each author are listed at the end of their articles. Even more valuable is how each author’s article is filled with quotes and advices they found helpful from other famous authors.
In this review, I have tried to quote a portion of each author’s article to give the reader a good sampling of what is covered in this anthology and hopefully wet their appetite to go out and buy it in order to devour the rest. There is something for everyone, no matter who you are or what you write.
The preface is written by Erica Jong. She points out “the more worldly the world, the more it needs a solitary artist for its own spiritual health. Believe in yourself. You are the soul and the conscience of the world, even if the world doesn’t know it yet.”
Under the first subheading of Creativity, Motivation & Discipline, Jane Yolen encourages the writer to “read everything you write out loud. Put everything in a folder (both computer and printout). Go back over what you have done previously before you begin that day.”
Eric Abrahamson clues us in on The Benefits of Messiness. “People with orderly desks report spending 36% more time finding things. Moderate messiness is completely acceptable and is, in fact, probably superior in a number of instances.”
Especially fascinated with the subject, I appreciated the article Where Do Ideas Come From? Some writers get annoyed with people who ask this question. But, as a writer who tries to turn a situation or experience into a story, I relish the opportunity to answer it.
For instance, one of my ideas came from inside a book I loaned from the local library. It was a novel written by one of my favorite authors, Indu Sundaresan. Not able to wait to reach home to begin reading it, I cracked open the cover on the bus. To my surprise, a portion of a boarding pass for Lufthansa Airlines fell out into my lap. Picking it up, I read what little details I could extrapolate from it and began to imagine who the previous reader of this novel had been and my imagination began to run wild. Instead of reading the book on the way home, I grabbed my journal and pen out of my backpack and began writing one of my own.
Philip Martins, who wrote the abovementioned article on ideas explains, “Where ideas come from then, is a combination of openness, constant seeking and courage. If the writer is tuned into these, the serendipity of ideas coming unbidden can at times seem miraculous.”
Gabriel Gudding, in the article The Cultivation of Mindstates says, “because writing is principally an act of generosity, cultivating an empathetic mindstate, indeed an empathetic temperament will only enhance our desire and ability to write well.”
Dennis Palumbo, who is not only an author but a licensed psychotherapist specializing in the issues of creative writing gives us The Three Cosmic Rules of Writing. “You may at this very moment be feeling scared, frustrated, blocked or discouraged. If so, join the club. Because so does every other writer in the world, even the most successful ones.”
On the topic of Developing Intuition, the creator and president of the National Association of Women Writers (NAWW) Sherri McConnell gives writers five suggestions to do this while also testing your inner guidance.
The Treadmill Journal, according to author Gregory Martin should include five daily entries - date and time, how long you will work, what you plan to work on, how it went and when you will work tomorrow and for how long. He also includes a sample entry.
Do you find yourself wondering how to start your story? Brandi Reissenweber tells writers, “The beginning’s job is to lure. You want to entice the reader into the story and deliver on that enticement.”
Most helpful are the articles entitled Checklist for Characters and Conflict Revision by Gregory Martin and Haiku Techniques of which author Jane Reichhold discusses nineteen of them.
The article by Laura Backes on What Dr. Seuss Can Teach Us was enlightening to me. Did you know for instance that it was in 1954 when a challenge by Pulitzer Prize winner John Hersey was put before Dr. Seuss and others in Life magazine? This challenge, which is discussed in detail led to the publication of The Cat In The Hat.
Maybe you’re trying to break into the world of magazine writing. Marcia Yudkin’s feature on M-Factors - Qualities That Help You Break Into Major Magazines will not only pique your interest but give you the five different factors important to your success in this field.
Is it nonfiction scenes that have your shorts in a bunch? Then check out Larry Getlen’s Recreating Nonfiction Scenes. Quoting author Julian Rubenstein he says, “you can’t write narrative reflection unless you have the material. You have to know everything. Then, and only then, can you decide what is best to illustrate your story.”
Linda Formichelli follows up with Getting The Tough Interview.
For journalists, Ray Peter Clark discusses The Line Between Fact and Fiction with strong advice and elaboration on the two cornerstone principles of “Do Not Add” and “Do Don’t Deceive”.
Lynn Franklin covers the importance of The Psychological Action In Nonfiction and how it increases the power of the story. By “bringing the reader close to the psychological action you help them to empathize with the character.”
The next three authors, namely W. Terry Whalen, Linda Adams and Judy Bridges advice writers about critique groups, both joining and running one along with creating snappy introductions for a successful one.
The quest for information/articles on the topic you want to write about is undertaken in Marylaine Block’s entry My First Rule of Information. She gives helpful advice on where to go to find what you need.
Eight articles appear in the Pitching & Proposals section. Resources are included with samples of pitches, query letters and proposals, along with a do’s and don’t and what to remember lists. Rounding it all out are the remaining two articles in this section - How to deal with a small press and understanding editorese.
Marketing Your Work is the section which follows. Learn how to create a successful press kit and how you as a writer can help your publisher with marketing by taking all the listed opportunities available to you. Both short and long projects are clearly defined.
The article on How To Get Great Testimonials lists seven tried and true styles to finding the right people and asking them for want you want. “Testimonials are a workhorse tool for your book marketing effort,” says author Jay Lipe.
Helpful step-by-step instructions are listed on the subject of Planning Author Events in Bookstores. After you’ve planned your event, take advantage of the tips to make sure it’s a well-attended event. This is especially true if the majority of your audience is international, such as was the case with author Jenna Glatzer. She discusses the nine best ways, which she found through trial and error, that work for her.
Not to be overlooked are the important topics of focusing on Niche Markets and The Potential of Tips Booklets by Kate Bandos and Paulette Ensign respectively.
One of the known experts on Writing White Papers, Michael Stelzner explains exactly what a white paper is, why they matter, why you should care about them, how they are used, and who reads them. The emergence of white papers as marketing tools and their standards are also considered.
Deborah Raney gives numerous ideas on how you can have a “positive influence” on both the life of your book and you as an author.
Being Internet savvy these days is a must for authors. Your own website will be not only the core but the starting point for an online book promotion, in order for you to target a larger audience than just those locally.
The five major steps which need to be taken to acquire a successful website are outlined by Patrice-Anne Rutledge. Moira Allen helps the writer create on online portfolio and talks about what to keep in mind when posting clips.
Have you started blogging yet? Creative Consultant Lani Voivod will explain why it is imperative to do so “if you have a passion, specialty, niche, mission or business.” Steve Weber continues with the same line of thought in his article Fundamentals of Blogging.
A concise, detailed explanation of the 10 Tips on Writing the Living Web have been compiled by Mark Bernstein.
Developing a catchy email signature is the topic of conversation with Linda Formichelli.
The last section of the anthology, barring the two appendices (Editor’s Afterward and Publication Credits), is titled Literary Insights and Lost Words. It encompasses ten articles by ten authors. Writers will learn How To Speak A Book with Richard Powers.
The articles Books As A Gateway Drug, Time Traveling By Words, Music and Arts, and Literary Fiction all appear in rapid succession. We then reach Katha Pollitt’s comical Thank You For Hating My Book.
No matter where we hail from, our culture and heritage has its own distinct language. “It is a language,” concludes Barry Lopez in Discovering Home Ground, “that keeps us from slipping off into abstract space.
Go Into The Light with Mike Silva and be content with Being A Minor Writer with Bruce Holland Rogers.
When all is said and done, Mary Pipher’s Writing In A New World cautions writers that sometimes language can be a weapon in itself. “We weaponize it when we use it to objectify, depersonalize, dehumanize and create an “other”.
Philip Martins sums things up by expressing the sentiments that “writing is a gift and we should try to use it for good. Take it seriously but don’t forget to laugh at yourself. Good writing comes from great passion and personal dedication.
Buy
Reviewed By Judi Silva
judi.silva@gmail.com
http://www.dark-horse-adaptations.com/
Originally published on Associated Content:
http://www.associatedcontent.com/user/1968/simran.html
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Saturday, May 16, 2009
Teaching Memoir Reviewed by Author Judi Silva
Title: New Directions In Teaching Memoir: A Studio Workshop Approach
Author(s): Dawn Latta Kirby and Dan Kirby
Publisher: Heinemann
ISBN-10: 0325006687
ISBN-13: 978-0325006680
My Rating - 4 out of 5
Reviewed By Judi Silva
This studio workshop approach for the genre of contemporary memoir is quite interesting, as it is written from the standpoint of the instructor who is teaching a class on writing memoir. Taking a look at the new direction in which the class is being taught, the authors of this book have taken their ideas from those which required a little over a decade to develop and then successfully implemented in classrooms and workshops across the country.
The concept of the book has a dual purpose. It is a “how-to-write” memoir, along with a “how-to-teach” writing memoir. The important tools for both are contained within its 195 pages of instruction, bibliography of memoirs and subsequent index.
The twelve well stocked chapters are broken down into the following: Chapters 1-3 cover background information and exploration in memoir writing. Chapters 4-11 are the meat ... the “how-to” create a memoir of your own. Chapter 12 is the extensive bibliography.
When you have finished this book, you will have learned how to read and write a memoir, along with thinking like a reader and like a writer of memoir. You will be equipped with the valuable tools which assist you in drafting, writing, revising, assembling, tracking, assessing and evaluating your memoir. Reflections and final thoughts round things out.
Various readings from other literary memoirs are cited to give excellent examples of how a memoir “should” read, such as in Jhumpa Lahiri’s Namesake and The House On Mango Street by Sandra Cisneros.
Charts, key questions and printouts help tremendously with the task at hand. Assembling and presenting your memoir is the best part of the entire project. Experiment with color, fonts and pictures. Be creative. It’s the story of your life. Seeing the finished product which is not only personalized but ready to share with others is very rewarding.
Just a side point, not mentioned in the book - watch the Mira Sorvino starrer Tarentella (1996). In it you will find an interesting example of a memoir, from which you can incorporate some ideas.
Buy New Directions In Teaching Memoir: A Studio Workshop Approach.
Reviewed By Judi Silva
judi.silva@gmail.com
http://www.dark-horse-adaptations.com/
Originally published on Assoicated Content:
http://www.associatedcontent.com/user/1968/simran.html
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Author(s): Dawn Latta Kirby and Dan Kirby
Publisher: Heinemann
ISBN-10: 0325006687
ISBN-13: 978-0325006680
My Rating - 4 out of 5
Reviewed By Judi Silva
This studio workshop approach for the genre of contemporary memoir is quite interesting, as it is written from the standpoint of the instructor who is teaching a class on writing memoir. Taking a look at the new direction in which the class is being taught, the authors of this book have taken their ideas from those which required a little over a decade to develop and then successfully implemented in classrooms and workshops across the country.
The concept of the book has a dual purpose. It is a “how-to-write” memoir, along with a “how-to-teach” writing memoir. The important tools for both are contained within its 195 pages of instruction, bibliography of memoirs and subsequent index.
The twelve well stocked chapters are broken down into the following: Chapters 1-3 cover background information and exploration in memoir writing. Chapters 4-11 are the meat ... the “how-to” create a memoir of your own. Chapter 12 is the extensive bibliography.
When you have finished this book, you will have learned how to read and write a memoir, along with thinking like a reader and like a writer of memoir. You will be equipped with the valuable tools which assist you in drafting, writing, revising, assembling, tracking, assessing and evaluating your memoir. Reflections and final thoughts round things out.
Various readings from other literary memoirs are cited to give excellent examples of how a memoir “should” read, such as in Jhumpa Lahiri’s Namesake and The House On Mango Street by Sandra Cisneros.
Charts, key questions and printouts help tremendously with the task at hand. Assembling and presenting your memoir is the best part of the entire project. Experiment with color, fonts and pictures. Be creative. It’s the story of your life. Seeing the finished product which is not only personalized but ready to share with others is very rewarding.
Just a side point, not mentioned in the book - watch the Mira Sorvino starrer Tarentella (1996). In it you will find an interesting example of a memoir, from which you can incorporate some ideas.
Buy New Directions In Teaching Memoir: A Studio Workshop Approach.
Reviewed By Judi Silva
judi.silva@gmail.com
http://www.dark-horse-adaptations.com/
Originally published on Assoicated Content:
http://www.associatedcontent.com/user/1968/simran.html
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Friday, May 15, 2009
Brit Ron Morgans Treats Readers to New Thriller
Title: The Deadline Murderspart of the Fox & Farraday series.
Author: Ron MorgansWebsite:
Genre: Thriller/Mystery
ISBN: 9788461291632
Format: Paperback 320 pages
Publisher: Riverheron Publishing
Purchase:
Henrietta Fox is a paparazzo. A wild, flame-haired girl in biker’s boots and leathers, with an Irish temper. She rides a Yamaha on the streets of London stalking celebrities for the tabloid gossip pages. When a Chinese military plane explodes in a fireball before her camera, life for Henrietta Fox gets dangerous!
Five reporters across Europe have been murdered, each with their exotic, lop-eared Sumxu cats. Animals considered extinct for 300 years. Only Henrietta Fox knows why - and that knowledge could kill her.
To survive she must pursue a madman across China with partner CASS FARRADAY, an ex-Repton public schoolboy turned tabloid reporter with a devious line in interviews.
Only they can prevent an Armageddon assault on Britain’s Air Traffic Control. Fail and half a million lives will be lost.
AUTHOR: Ron Morgans lives on the Mediterranean writing mystery novels. The characters and plots he writes about are inspired by his years as an award winning photojournalist. He worked on eight UK National newspapers and covered the world’s major events with the top cameramen of his generation. He uses that experience to craft stories that move with breathtaking pace to excite and intrigue his growing band of readers.
BLURB: “The Deadline Murders is an exciting, unpredictable, thrilling page-turner of a book. I loved it.” ~ Piers Morgan – author, editor and judge of Britain’s/America’s Got Talent.
REVIEW: http://insearchofadam.blogspot.com/2009/04/weekend-reading-ron-morgans.html
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Author: Ron MorgansWebsite:
Genre: Thriller/Mystery
ISBN: 9788461291632
Format: Paperback 320 pages
Publisher: Riverheron Publishing
Purchase:
Henrietta Fox is a paparazzo. A wild, flame-haired girl in biker’s boots and leathers, with an Irish temper. She rides a Yamaha on the streets of London stalking celebrities for the tabloid gossip pages. When a Chinese military plane explodes in a fireball before her camera, life for Henrietta Fox gets dangerous!
Five reporters across Europe have been murdered, each with their exotic, lop-eared Sumxu cats. Animals considered extinct for 300 years. Only Henrietta Fox knows why - and that knowledge could kill her.
To survive she must pursue a madman across China with partner CASS FARRADAY, an ex-Repton public schoolboy turned tabloid reporter with a devious line in interviews.
Only they can prevent an Armageddon assault on Britain’s Air Traffic Control. Fail and half a million lives will be lost.
AUTHOR: Ron Morgans lives on the Mediterranean writing mystery novels. The characters and plots he writes about are inspired by his years as an award winning photojournalist. He worked on eight UK National newspapers and covered the world’s major events with the top cameramen of his generation. He uses that experience to craft stories that move with breathtaking pace to excite and intrigue his growing band of readers.
BLURB: “The Deadline Murders is an exciting, unpredictable, thrilling page-turner of a book. I loved it.” ~ Piers Morgan – author, editor and judge of Britain’s/America’s Got Talent.
REVIEW: http://insearchofadam.blogspot.com/2009/04/weekend-reading-ron-morgans.html
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Tuesday, May 12, 2009
Oh! That Blind Date Thing-- Revisited!
Eyes Wide Shut
Title: All Men Are Cremated Equal: My 77 Blind Dates
Author: Elizabeth Fournier
Genre: Women's NonFiction/Chick Lit
ISBN-13: 9780595533008
Format: Paperback, 212 pages
Publisher: iUniverse, Incorporated (January 2009)
Review by Cate Garrison, author OF MUTTS AND MEN, MIRANDA AND HER
DAUGHTERS, CHOICE CUTS OF LAMB
Elizabeth Fournier is a motorcycling, ballroom dancing, beer drinking mortician who decides to go on 77 blind dates; if that isn't a formula for success, I don't know what is. And, believe me, this page-turning, hilarious yet thought-provoking book lives up to the promises of its premises. Elizabeth's imagery is alive and glorious; her dialog pops off the page; the pictures she creates shout aloud with color. In
particular, the thumbnail sketches of the guys she dates are telling and resonant. We recognize these jerks; nay, we have dated them, if not blindly, then certainly (in my case) with our eyes closed. And her central character (herself) is beautifully drawn, quirky, half-vulnerable, half-brimming with confidence, at all times both totally empathetic and yet refreshingly unexpected. Buy this book for
your girlfriends (and boyfriends), and they will forever be grateful.
About the Author:
After she got over her dream of being a Solid Gold Dancer, Fournier promptly headed into the local funeral home and asked for a job, any job. She became the live-in night keeper which meant she resided in a trailer in the far reaches of a large, hilly cemetery and slept with a shotgun near her bed. It was the scariest summer of her life. She is currently the voice of the autopsy exhibit in the forensic wing at the United States National Museum of Medicine and a full-time mortician. She is also a ballroom dance instructor at Reed College in Portland, Oregon. But she couldn't resist writing the story of her unusual method of dating that led her to the love of her life.
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
Title: All Men Are Cremated Equal: My 77 Blind Dates
Author: Elizabeth Fournier
Genre: Women's NonFiction/Chick Lit
ISBN-13: 9780595533008
Format: Paperback, 212 pages
Publisher: iUniverse, Incorporated (January 2009)
Review by Cate Garrison, author OF MUTTS AND MEN, MIRANDA AND HER
DAUGHTERS, CHOICE CUTS OF LAMB
Elizabeth Fournier is a motorcycling, ballroom dancing, beer drinking mortician who decides to go on 77 blind dates; if that isn't a formula for success, I don't know what is. And, believe me, this page-turning, hilarious yet thought-provoking book lives up to the promises of its premises. Elizabeth's imagery is alive and glorious; her dialog pops off the page; the pictures she creates shout aloud with color. In
particular, the thumbnail sketches of the guys she dates are telling and resonant. We recognize these jerks; nay, we have dated them, if not blindly, then certainly (in my case) with our eyes closed. And her central character (herself) is beautifully drawn, quirky, half-vulnerable, half-brimming with confidence, at all times both totally empathetic and yet refreshingly unexpected. Buy this book for
your girlfriends (and boyfriends), and they will forever be grateful.
About the Author:
After she got over her dream of being a Solid Gold Dancer, Fournier promptly headed into the local funeral home and asked for a job, any job. She became the live-in night keeper which meant she resided in a trailer in the far reaches of a large, hilly cemetery and slept with a shotgun near her bed. It was the scariest summer of her life. She is currently the voice of the autopsy exhibit in the forensic wing at the United States National Museum of Medicine and a full-time mortician. She is also a ballroom dance instructor at Reed College in Portland, Oregon. But she couldn't resist writing the story of her unusual method of dating that led her to the love of her life.
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor.
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