The Stuff That Love Is Made Of
You'll laugh and wish that all true stories could be this enchanting.
Highly recommended.
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TITLE: Tales2Inspire ~ The Diamond Collection - Series V
SUBTITLE: Stories of Turning the Page
SERIES TITLE: Tales2Inspire ~ The Diamond Collection
AUTHOR: Anthology of authors of contest winning inspiring stories
AUTHOR'S WEBSITE: https://www.tales2inspire.com
GENRE: Inspirational, non-fiction personal stories
AGE / INTEREST LEVEL: 21 +
PAGE COUNT: 236
PUBLISHER: Independently Published
REVIEWED BY: Emily Jane Hills Orford
REVIEW LINK: https://readersfavorite.com/book-review/tales2inspire
X PERMISSION RECEIVED FROM REVIEWER TO REPOST THIS REVIEW
Reviewed by Emily-Jane Hills Orford for Readers' Favorite
“Change is the current that drives our lives.” Janet Rice wrote these poignant words in her creative nonfiction story, Bygone Brooklyn. Change is also what makes our stories so empowering, so sensitive and compassionate, and so important. Life is all about stories; it’s what defines us as humans. Stories reveal our history, but stories also heal, nourish, and make us whole, make us complete, like the protective powers of the moonstone. Stories like a father hearing for the first time from an adult daughter he never knew existed; a woman who explores her connection to Holocaust survivors after attending a talk given at her grandson’s school; a child who blends in well with children of different races and doesn’t experience her own sense of alienation until her comfort zone, her home, changes; a teacher struggling with the pandemic-infused new teaching format and, stressed to the limits of endurance, seeks another path to follow. Powerful stories and there are many, many more that will open your hearts and minds to the depth of the human spirit and the strength to survive against all odds.
A quick scan of the table of contents of Made Man, Jendi Reiter’s third poetry collection, indicates that the reader is in for a comitragic, day-glo accented, culture-hopping, snort-inducing, gender-interrogating rollercoaster of a ride. Titles like “It’s Not Sensory Processing Disorder, You’re a Werewolf,” “My Longest Female Relationship Is With My Subaru,” “Don’t Get Your Penis Stuck In The Bubble Wand,” “Dreaming Of Top Surgery At The Vince Lombardi Rest Stop,” and “Buzz Aldrin Takes Communion On The Moon,” erupt from the pages with a fierce irreverent energy, and we know at once that this is not a collection to be savored quietly by the fireside in slippers with a cup of herbal tea. We also sense we will be entering a smart, challenging, multifaceted world.
In the author’s words: “Made Man explores female-to-male transition and gay masculine identity through persona poems in the voices of unusual objects and fictional characters with some aspect that is constructed, technological, or hybrid.” And further, “…these character studies open up onto a broader consideration of humanity’s relationship with technology and the shadow side of male dominance of nature.” But far from being a didactic examination of gender identity and our tech-obsessions, these poems are often laugh-out-loud funny, as the table of contents would suggest. Reiter is a founder of the Winning Writers organization, and oversees its literary contests, including the nationally-acclaimed Wergle Flomp Humor Poetry Contest, so they are well-grounded in the business of tackling complex subjects with a comedic toolkit. In “All Cakes are Bastards,” a wry persona-poem take on the gender-reveal party phenomenon, the in-utero speaker says,
they drove, masked, to the mall for plastic feet
to spear into frosting
in the dry wind they dreamed
of lures or lace, of my two choices
under an orange sky
as I slumbered normal in the blood-rich sea
as ash fell on the green courses
as I grew into my ultrasound assignment
they directed the baker’s hand, putters
or pearls, rifles or ruffles
the sugared script radiating pink and blue…
There is humor, to be sure, especially in the title which draws us in, but the humor darkens around the edges, with references to out-of-control fires raging across California (one ignited by a gender-reveal fireworks display gone awry), the COVID-19 pandemic, and the murder of George Floyd at the hands and knees of the police. It’s an ironic and scary world to be born into, especially if one will be wrestling with their assigned gender.
Reiter shifts tonal gears in poem after poem, dragging the reader along at a dizzying pace, creating a sense of disorientation that is evocative of a long journey of transition through a surreal, often unwelcoming cultural landscape. In “Dreaming Of Top Surgery At The Vince Lombardi Rest Stop” they imagine “the great men of New Jersey”: Walt Whitman, Joyce Kilmer, Thomas Edison et al, availing themselves of the men’s room while the speaker intones, “O, Vince Lombardi…/ I believe you would agree…/ that purity of heart is to will one thing.” In the title poem, “Made Man,” the hormone-injecting subject veers into scriptural syntax:
Became incarnate
and was made
man or a god barely an age
to shave, that mirror-ritual of boys
aping the father,
making their bones
his,
yours.
The pace slows in the poem “when people look at me I want them to think, there’s one of those people,” an intimate elegy for Lou Sullivan, thought to be the first transgender man to publicly identify as gay.
Reiter shows their aptitude for given forms, dropping in odes (“Butternut squash, you are the War and Peace of vegetables”) and ghazals (“My body is the Tomb of the Unknown Penis”) to great effect. The penultimate poem in the book, “Transfag Semiotics,” is a mini-crown of sonnets, an extraordinarily crafted sequence where the speaker drills deep into their quest for identity:
Sometimes you vanish like a father
or a breast. Drop the handkerchief,
the theory, drop to your knees. Whether
you can explain it or not, do you want to live?
Faggot is becoming. What is a man?
I experienced what I wanted to understand.
It’s an absolute tour-de-force, and the comedic gestures fall away as Reiter grows deadly serious about the cost of becoming, of being made, and ultimately, what it means to authentically be.
In the current season of culture wars, where state legislatures are enacting “Don’t Say Gay” bills, and trying to reframe gender-affirming treatments as parental abuse, Made Man stands as a testament to the humanity of trans people everywhere. It’s also chock-full of intelligent, often hilarious and sometimes biting poems that will leave you spinning and exhilarated. Jump in, crank down your safety bar, and head out for the ride.
Jendi Reiter (they/he) is the editor of WinningWriters.com is a prolific (and prolifically published!) poet. His New poetry collection! Made Man is from Little Red Tree Publishing. The American Library Association's Rainbow Round Table Reviews reports it is: "A mix of somber moments and charming wit, Reiter’s collection makes space for humor in the maelstrom of navigating gendered experiences."
"Things are not what they appear to be: nor are they
otherwise." --Surangama Sutra
TITLE: Cover Stories
SUBTITLE: Tales of rock legends and the albums that made them famousAuthor: Robert L. HeimallPublisher : Independently published (June 13, 2019)ISBN-10 : 1096400448ISBN-13 : 978-1096400448
Reviewed by Dr. Wesley Britton
Available on Amazon
As former Electra Records president Jac Holzman reminds us in his introduction to Robert L. Heimall’s Cover Stories, the cover art for those 7” musical artifacts were often the most important and sometimes only marketing tool a given album would get to capture the eye and then hopefully ear of the record buying public. While the musicians, producers, engineers etc. invested their time in creating what would appear in those old grooves, the equally creative visual artists like Robert L. Heimall were hard at work finding just the right cover art to visually represent something of the flavor of the music to us, the buying public.Not surprisingly, Heimall’s fast-paced memoir is a long series of anecdotes telling us just how many album covers came to be. That means behind-the-scenes stories of his working relationships with the likes of The Doors, Carly Simon, David Peel, Paul Butterfield, Patti Smith, The Kinks and lesser known names like the highly influential Mickey Newbury and Lonnie Mack. Did you know Mack not only played bass throughout the Doors’ Morrison Hotel but also the bluesy guitar on “Roadhouse Blues”?Especially revelatory to me were stories of bands I never heard of like Wild Things, Gulliver and Bamboo. The chapter on Barry Manilow was entertaining where we learn New Zealand shopping mall execs learned playing Barry Manilow music discouraged the presence of rowdy teenagers. A Colorado judge learned sentencing loud noise offenders to an hour of loud Manilow albums greatly reduced the number of repeat offenders.Along the way, we learn much about the artistic decision making process of album designers, a lot about Heimall’s private life, like the protracted disillusion of his marriage to his bosses’ daughter, and his increasing religiosity.Judging from some reviews at Amazon, there are readers who will be turned off by the growing evangelism in the latter chapters. Perhaps some readers might be miffed by the amount of repetition. Did I mention he married the bosses’ daughter? He points that out so often there’s no way you’ll ever forget that fact.Of course, one dimension of the book not typical of most rock memoirs are the record covers being discussed, front, back, gatefold. So if you’re a fan with a nostalgic love for the music of the ‘60s and ‘70s and have a fondness for the packaging the old vinyl was protected in, Cover Art might just fit a slot on your rock and roll bookshelf.
Dr. Wesley Britton is a reviewer for BookPleasures.com and #TheNewBookReview. He is the author of four nonfiction books on espionage in literature and the media. Starting in fall 2015, his new six-book science fiction series, The Beta-Earth Chronicles, debuted via BearManor Media. In 2018, he self-published the seventh book in the Chronicles, Alpha Tales, 2044, a collection of short stories, many of which first appeared at a number of online venues.
For seven years, Britton was co-host of online radio’s Dave White Presents where he contributed interviews with a host of entertainment insiders. Before his retirement in 2016, Dr. Britton taught English at Harrisburg Area Community College. H
Zelenskyy (he likes his name spelled
that way) created and produced a series now on Netflix, Servant of the
People. I watched season one (begun in 2015) and am impressed with his
talents, foresight, bravery, and message. I highly recommend everyone watch
these episodes to help see how corruption worldwide might be stopped. The
subtitles are in English. The series is a Ukrainian political satire comedy television show.
Zelenskyy, who stars as Vasily Petrovych, is a high school history teacher who
wakes up one morning as part of a family who is less than helpful to him (mom
won’t iron his shirt, he can’t get a turn in the bathroom) when the doorbell
rings. Ding-dong, you are now the President of Ukraine. Attitudes change at
first (hysterical to see) but not so much when his family disagrees with his
political moves, such as increases in taxes.
However, behind the scenes, much is being done to determine
where the tax money is going. Unfortunately, it is being funneled through the
Prime Minister (the audience is privy to this information) to fund the exotic
lives of representatives who have houses and horses in Monte Carlo. Funds are
being drained from the taxpayers. The mystery is solved by the amazing
Zelenskyy by the end of series one. Don’t just watch the final episode, which
is excellent, but watch the entire season to understand how it was achieved.
Corruption is tracked but not solved in season one. There is a series two, but
I do not as yet see it on Netflix. The episodes were filmed in Kyiv before
Zelenskyy became the actual leader of Ukraine, which is impressive.
In the show, to apply to run for
President, Petrovych needs millions, and his high school class has a
crowdfunding collection for him. Why? His rant about the government becomes
viral when a student unknowingly films it. His students tell him, and he learns
that almost all of them and their parents agree with his rant comments. The
Prime Minister asks Petrovych how he funded his application and doesn’t believe
his answer of crowdfunding. “Ha, ha, you can tell me later,” he says.
I’m sure I missed much of the humor
and insights I would have had if I had understood Ukrainian. Still, the acting
is so well done that what is going on is obvious. Sometimes I found myself not
noticing the subtitles.
This show was interesting to me not
only because it is concerning sad current events. I have had dear students from
Ukraine (I am a retired teacher), and my Grandparents were from nearby Slovenia.
I shared a quick write about my Grandmother’s potica previously. I love the accents and feel close
to the struggle Ukrainians are enduring. My Grandmother was hidden under potatoes
to keep her safe from soldiers in World War One.
Won’t we ever learn? I so wish I could
erase corruption and war from the world. We have an International
Court. Why isn’t it used more?
I have donated to Ukrainian relief funds, but such efforts are a drop in a war bucket. It just makes me so sad. I think Zelenskyy is setting an excellent example for the world.
Carolyn Wilhelm
BY LOIS W STERN
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