Naked, Drunk, and Writing
Subtitle: Shed Your Inhibitions and Craft a Compelling Memoir or Personal Essay
By Adair Lara
Ten Speed Press
ISBN: 9781580084802, 2010
Nonfiction/How-To (Writing)
Publisher's Site: http://www.tenspeed.com/
Reviewed by Carolyn Howard-Johnson, award-winning author of This Is the Place and Harkening: A Collection of Stories Remembered, several chapbooks of poetry and the How To Do It Frugally series of books for writers.
I collect books on the writing and marketing of books. After reading and reviewing so many, I’ve found that some of the best lessons are those that teach by example. In the case of Adair Lara’s new book--which is a bit about writers’ block and a lot about craft-- the first lesson I noticed was one about marketing. It was that great title. Naked, Drunk, and Writing.Naked is metaphorically what those who write memoirs must get. Yes, and maybe a little drunk, too.
The subtitle, Shed Your Inhibitions and Craft a Compelling Memoir or Personal Essay, explains what the reader may not get on first glance at the title. I liked that it has lots of searchable keywords that explanation of what the book.That very simple “writing” in the main title will help writers reaching for help on Amazon’s search feature, too.
So, I’m a little off the subject. Maybe it’s the way my brain works. Dunno.
I do know that if Adair were my teacher, she’d get after me for straying from a review of the book’s content. Or, she would, at the very least, suggest I reconsider digressing. Being a teacher myself, I’ve stubbornly decided against a change on the grounds that my students and my blog and Web site visitors will learn something from my detour, and that they get a marketing lesson or two is almost always one of my goals.
Having excused away my tendency toward a tangent (I hope successfully), I also recommend Naked and Drunk for those writing their own stories. When I teach the marketing of books, I always find many in my class who don’t know what a first-person essay is. So, to explain, I must digress (I have lots of practice in that, as you can see).
I’ll be recommending this book to in my UCLA class handout, for sure. No matter what an author’s genre of choice, he or she will need the skills for a personal essay. Every author’s media kit should include one. Therefore every author needs this book for the most practical of reasons. So they can get publicity. For it’s publicity that will sell the memoir that Lara so capably teaches them to write.
PS: A note to Ten Speed Press: From a marketing standpoint, what would it hurt to include on the “Other Books by Adair Lara” page a little explanatory pitch about what her other books are about. Some have titles that are adorable, but are not upfront clear about what might be between the covers. Option two: Include the subtitles. We’re all going to want to know more about Lara.
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
This blog, #TheNewBookReview, is "new" because it eschews #bookbigotry. It lets readers, reviewers, authors, and publishers expand the exposure of their favorite reviews, FREE. Info for submissions is in the "Send Me Your Fav Book Review" circle icon in the right column below. Find resources to help your career using the mini search engine below. #TheNewBookReview is a multi-award-winning blog including a MastersInEnglish.org recommendation.
Saturday, August 21, 2010
JAVELINA: Have-uh-What?
TITLE: JAVELINA (Have-uh-WHAT?)
AUTHOR: Gene K. Garrison
GENRE: Children's
ISBN: 798-1-4528725-3-7
Originally reviewed by Mona Tippins for Eons.com
This book is not just another bedtime storybook. It is a learning experience for children. The javelina is an animal that many children have never heard of, nor will they study it in school. The author explains, in an entertaining, lyrical way about the lives of the javelina and other animals, especially the ones that roam our Sonoran Desert. The thirty-eight pages are packed with information and spiced with color photographs of the javelina, other desert animals, and the plants and flowers of the desert. The author has mastered the art of "Show and Tell."
Ms. Garrison has added a glossary/dictionary of words she has used in the story that will further the child's vocabulary and possibly the parents' too.
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
AUTHOR: Gene K. Garrison
GENRE: Children's
ISBN: 798-1-4528725-3-7
Originally reviewed by Mona Tippins for Eons.com
This book is not just another bedtime storybook. It is a learning experience for children. The javelina is an animal that many children have never heard of, nor will they study it in school. The author explains, in an entertaining, lyrical way about the lives of the javelina and other animals, especially the ones that roam our Sonoran Desert. The thirty-eight pages are packed with information and spiced with color photographs of the javelina, other desert animals, and the plants and flowers of the desert. The author has mastered the art of "Show and Tell."
Ms. Garrison has added a glossary/dictionary of words she has used in the story that will further the child's vocabulary and possibly the parents' too.
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Thursday, August 19, 2010
Psychiatrist Searches for Sanity in a Crazy World
Title: The Most Revolutionary Act: Memoir of an American Refugee
Author: Dr Stuart Jeanne Bramhall
Web site: http://www.stuartbramhall.com/
Genre: memoir
ISBN: 978-1-60911-858-7
Reviewed by Michael David Morrissey
This is a frightening book. Much of it reads like a thriller, but unfortunately it is a true story. Dr. Stuart Jeanne Bramhill, a woman (despite the unusual first name) and a psychiatrist, describes her 15-year long mental, emotional and physical ordeal resulting from her involvement in leftist activist politics in Seattle, Washington. Beginning in 1986, says Bramhall, "for some unknown reason, some faceless higher-up in one of the eleven federal agencies that spy on American citizens decided I posed a threat to national security," and from then on she was subjected to phone harassment, wiretaps, break-ins, and even attempts on her life. Since she was never able to prove any of this (and how does one prove it?), she was also confronted with the disbelief of her own professional colleagues, who were quick to diagnose her as "psychotic" and gave her the choice of losing her medical license or spending a week in a locked ward at a mental hospital for observation. She chose the latter, though she continued to be misdiagnosed and over-medicated, which exacerbated her mental torment and had serious physical side-effects that lasted for years afterward.
Bramhall learned the hard way that her fellow medical professionals were the last people in the world she could be honest with about her feelings of persecution:
"The moment I mentioned the CIA, my psychiatrist decided I was psychotic and refused to listen anything else I said... Nelson's erroneous diagnosis stemmed from pure political naiveté. He had no reason to come in contact with political or union activists, unemployed whistleblowers or the low-income street people that the police, and, I believed, U.S. intelligence, recruited as informants. Nevertheless, I had no confidence in any of my colleagues to objectively assess my mental state. I practiced in a totally different world from other Seattle psychiatrists, who automatically turned away patients who couldn't afford their one hundred dollar fee."
Bramhall was never more than a "lukewarm radical":
"I was a very late bloomer politically. Despite my early disenchantment with the "establishment," as we called it in the sixties and seventies, it never occurred to me to blame political factors for my chronic sense of loneliness, alienation, and unmet emotional and social needs."
At thirty-five, she "fell into Marxism almost by accident" when a medical colleague invited her to join CISPES (Committee in Solidarity with the People of El Salvador, formed in 1981 to protest Reagan's covert war against El Salvador). Marxism helped her "make sense for the first time of a political system riddled with contradictions," but she "never accepted the need for violent revolution to overthrow capitalism."
This would have been enough, I think, to have alienated her from most of her colleagues, since it must be as almost as hard to be a "Marxist" psychiatrist in the U.S. as it was to a "capitalist" one in the former Soviet Union, where political deviance was routinely equated with psychosis.
But Bramhall crossed a number of other tripwires in her efforts to combine political activism with her profession, the most conspicuous one being the color line. As a white woman who actively pursued her profession, as well as social and political associations, in the African American community, she became involved with other activists whose motivations, she came to suspect, were not as innocent or transparent as her own. One of her early acquaintances, a former Black Panther called Jabari Sisulu, put it succinctly: "White professionals who fraternize with black radicals are at much greater risk than I am." Bramhall's story is testimony to the truth of this statement.
Over the years, as she continued to participate in local activist projects like the effort to turn an abandoned school building in Seattle into an African American museum and cultural center, Bramhall broadened her political consciousness by reading about the assassination of the Kennedys and Martin Luther King, Cointelpro, AIDS, and more recently, 9/11 -- in short, by delving into the immense body of literature dealing with the facts and evidence about such topics that continues to be systematically suppressed by the mainstream press and dismissed as "conspiracy theory" but which is now readily accessible on the internet. At some points, her activities at the "micro" level intersected, perhaps with consequences, with the "macro" level (my terms), such as her association with Edna Laidlow, who claimed to be the lover of the "umbrella man" at Dealey Plaza who supposedly gave the signal to begin the shooting of JFK. She also suspects that her effort to publicize an ulcer drug called "Tagomet" [sic, presumably Tagamet] as a treatment for AIDS may have triggered a covert response.
The reader, like Bramhall herself, waits in vain for any resolution of the question of who was harassing her and why. This is hardly surprising, since none of the issues at the "macro" level have been resolved either. Despite the ever-increasing mountain of evidence of government involvement in multitudinous conspiracies ("plans by more than one person to do bad things") against "the people," both domestic and foreign, the steadfast response of both government and mainstream press, which are in this respect identical, remains the same. It is not denial -- which would require facts and arguments -- but silence.
Thus Bramhall leaves us, at the end of the book in 2002, having emigrated to New Zealand in hope of starting a new life at a healthy distance from the "insidious pseudo-culture" of the U.S. public relations industry and "stranglehold of the U.S. military and U.S. intelligence." I wish her luck, and as an longtime ex-pat myself I can say that she made a rational decision. I too am a kind of "American Refugee," as Bramhall subtitles her memoir. Fortunately, I never experienced the kind of personal harassment she did, but reading her book gives me a strong sense of "there but for fortune." I could have easily gone the way of Stuart Bramhall, just as I could have ended up in Vietnam or (more likely) in Canada fleeing the draft. But I got lucky. First of all, I was lucky enough to realize early on that the Vietnam war was insane, and secondly, I found a psychiatrist who shared my view. (He called it a "mass neurosis," which I thought a gross understatement, but it served my purpose of escaping the draft.)
I did not leave the U.S. for political reasons, however. I left, in 1977, because even armed with a Ph.D. (in linguistics), I couldn't get a decent job. So I guess I was an economic "refugee." (Part of Bramhall's motive for emigrating was also economic, her medical practice having suffered under cutbacks in Medicare and Medicaid in the Reagan, Bush, and Clinton administrations.) I was, obviously, opposed to the Vietnam war, but I did not become "radicalized" until much later, in 1988, when I was older than Bramhall was when she turned to Marxism, so I too was a late bloomer, politically. The catalyst for me was, I am almost ashamed to say, a TV program: Nigel Turner's documentary about the assassination of President Kennedy (The Men Who Killed Kennedy). I saw this in Germany, after I had been living here for almost 11 years. This was the major turning point for me, but it all happened in my head. In Bramhall's case, despite the opinion of her bourgeois colleagues, I don't think it was in her head. Maybe some of it was, but her story is much too detailed to be dismissed as paranoia.
So the irony of our two stories is complete. On the one hand, we have a psychiatrist who is persecuted for political reasons and falsely judged by her colleagues to be insane. On the other hand we have a linguist who opposes an insane war and is correctly judged by a "renegade" psychiatrist (as I'm sure his colleagues would have described him in those days) to be sane and therefore unfit to "serve." Both of us end up leaving the country.
But not everyone can leave. Vietnam did not end. It's here again under a different name: Afghanistan/Iraq. In fact, things are much worse now, much more insane, than they were in the sixties. There was at least some attempt to lie convincingly about the reasons for the Vietnam war. The "communist threat" was more convincing than the the blatant lies about non-existent weapons of mass destruction, retaliation for 9/11, and bringing "freedom and democracy" to those unfortunate countries. A very large portion of the population, probably close to one half, disbelieves the government's story of 9/11, and a clear majority does not support the ongoing war (read "military engagement"). There is a huge disjuncture between what people think and what the government and the mainstream media tell them.
If societies were people, the U.S. would have to be locked up with the criminally insane. No person could remain sane harboring so many violently conflicting ideas. Societies are not people, but people do have to live in this insane society. How do they do it? I think there are three alternatives: 1) denial, 2) acceptance, and 3) fighting back. 1) and 2) are themselves psychotic states. How can you deny or accept insanity without becoming part of it?
3) is the only sane, reasonable and honorable alternative. This is what Bramhall did, and what many of us try to do, each in our own way. It is wrong to see her story as negative or her struggle as futile. It is part of the ongoing struggle.
P.S. Dr. Bramhall mentions me as the "translator" of AIDS researcher Jakob Segal, but in fact I only proofread the English edition of his book "AIDS Can Be Conquered" (Verlag Neuer Weg, 2001; "AIDS Ist Besiegbar," 1995). I did translate a couple of shorter pieces, which are accessible on my homepage (mdmorrissey.info) and in my book "Looking for the Enemy." The latter and my more recent book "The Transparent Conspiracy" (on 9/11) are available on Amazon.com.
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Author: Dr Stuart Jeanne Bramhall
Web site: http://www.stuartbramhall.com/
Genre: memoir
ISBN: 978-1-60911-858-7
Reviewed by Michael David Morrissey
This is a frightening book. Much of it reads like a thriller, but unfortunately it is a true story. Dr. Stuart Jeanne Bramhill, a woman (despite the unusual first name) and a psychiatrist, describes her 15-year long mental, emotional and physical ordeal resulting from her involvement in leftist activist politics in Seattle, Washington. Beginning in 1986, says Bramhall, "for some unknown reason, some faceless higher-up in one of the eleven federal agencies that spy on American citizens decided I posed a threat to national security," and from then on she was subjected to phone harassment, wiretaps, break-ins, and even attempts on her life. Since she was never able to prove any of this (and how does one prove it?), she was also confronted with the disbelief of her own professional colleagues, who were quick to diagnose her as "psychotic" and gave her the choice of losing her medical license or spending a week in a locked ward at a mental hospital for observation. She chose the latter, though she continued to be misdiagnosed and over-medicated, which exacerbated her mental torment and had serious physical side-effects that lasted for years afterward.
Bramhall learned the hard way that her fellow medical professionals were the last people in the world she could be honest with about her feelings of persecution:
"The moment I mentioned the CIA, my psychiatrist decided I was psychotic and refused to listen anything else I said... Nelson's erroneous diagnosis stemmed from pure political naiveté. He had no reason to come in contact with political or union activists, unemployed whistleblowers or the low-income street people that the police, and, I believed, U.S. intelligence, recruited as informants. Nevertheless, I had no confidence in any of my colleagues to objectively assess my mental state. I practiced in a totally different world from other Seattle psychiatrists, who automatically turned away patients who couldn't afford their one hundred dollar fee."
Bramhall was never more than a "lukewarm radical":
"I was a very late bloomer politically. Despite my early disenchantment with the "establishment," as we called it in the sixties and seventies, it never occurred to me to blame political factors for my chronic sense of loneliness, alienation, and unmet emotional and social needs."
At thirty-five, she "fell into Marxism almost by accident" when a medical colleague invited her to join CISPES (Committee in Solidarity with the People of El Salvador, formed in 1981 to protest Reagan's covert war against El Salvador). Marxism helped her "make sense for the first time of a political system riddled with contradictions," but she "never accepted the need for violent revolution to overthrow capitalism."
This would have been enough, I think, to have alienated her from most of her colleagues, since it must be as almost as hard to be a "Marxist" psychiatrist in the U.S. as it was to a "capitalist" one in the former Soviet Union, where political deviance was routinely equated with psychosis.
But Bramhall crossed a number of other tripwires in her efforts to combine political activism with her profession, the most conspicuous one being the color line. As a white woman who actively pursued her profession, as well as social and political associations, in the African American community, she became involved with other activists whose motivations, she came to suspect, were not as innocent or transparent as her own. One of her early acquaintances, a former Black Panther called Jabari Sisulu, put it succinctly: "White professionals who fraternize with black radicals are at much greater risk than I am." Bramhall's story is testimony to the truth of this statement.
Over the years, as she continued to participate in local activist projects like the effort to turn an abandoned school building in Seattle into an African American museum and cultural center, Bramhall broadened her political consciousness by reading about the assassination of the Kennedys and Martin Luther King, Cointelpro, AIDS, and more recently, 9/11 -- in short, by delving into the immense body of literature dealing with the facts and evidence about such topics that continues to be systematically suppressed by the mainstream press and dismissed as "conspiracy theory" but which is now readily accessible on the internet. At some points, her activities at the "micro" level intersected, perhaps with consequences, with the "macro" level (my terms), such as her association with Edna Laidlow, who claimed to be the lover of the "umbrella man" at Dealey Plaza who supposedly gave the signal to begin the shooting of JFK. She also suspects that her effort to publicize an ulcer drug called "Tagomet" [sic, presumably Tagamet] as a treatment for AIDS may have triggered a covert response.
The reader, like Bramhall herself, waits in vain for any resolution of the question of who was harassing her and why. This is hardly surprising, since none of the issues at the "macro" level have been resolved either. Despite the ever-increasing mountain of evidence of government involvement in multitudinous conspiracies ("plans by more than one person to do bad things") against "the people," both domestic and foreign, the steadfast response of both government and mainstream press, which are in this respect identical, remains the same. It is not denial -- which would require facts and arguments -- but silence.
Thus Bramhall leaves us, at the end of the book in 2002, having emigrated to New Zealand in hope of starting a new life at a healthy distance from the "insidious pseudo-culture" of the U.S. public relations industry and "stranglehold of the U.S. military and U.S. intelligence." I wish her luck, and as an longtime ex-pat myself I can say that she made a rational decision. I too am a kind of "American Refugee," as Bramhall subtitles her memoir. Fortunately, I never experienced the kind of personal harassment she did, but reading her book gives me a strong sense of "there but for fortune." I could have easily gone the way of Stuart Bramhall, just as I could have ended up in Vietnam or (more likely) in Canada fleeing the draft. But I got lucky. First of all, I was lucky enough to realize early on that the Vietnam war was insane, and secondly, I found a psychiatrist who shared my view. (He called it a "mass neurosis," which I thought a gross understatement, but it served my purpose of escaping the draft.)
I did not leave the U.S. for political reasons, however. I left, in 1977, because even armed with a Ph.D. (in linguistics), I couldn't get a decent job. So I guess I was an economic "refugee." (Part of Bramhall's motive for emigrating was also economic, her medical practice having suffered under cutbacks in Medicare and Medicaid in the Reagan, Bush, and Clinton administrations.) I was, obviously, opposed to the Vietnam war, but I did not become "radicalized" until much later, in 1988, when I was older than Bramhall was when she turned to Marxism, so I too was a late bloomer, politically. The catalyst for me was, I am almost ashamed to say, a TV program: Nigel Turner's documentary about the assassination of President Kennedy (The Men Who Killed Kennedy). I saw this in Germany, after I had been living here for almost 11 years. This was the major turning point for me, but it all happened in my head. In Bramhall's case, despite the opinion of her bourgeois colleagues, I don't think it was in her head. Maybe some of it was, but her story is much too detailed to be dismissed as paranoia.
So the irony of our two stories is complete. On the one hand, we have a psychiatrist who is persecuted for political reasons and falsely judged by her colleagues to be insane. On the other hand we have a linguist who opposes an insane war and is correctly judged by a "renegade" psychiatrist (as I'm sure his colleagues would have described him in those days) to be sane and therefore unfit to "serve." Both of us end up leaving the country.
But not everyone can leave. Vietnam did not end. It's here again under a different name: Afghanistan/Iraq. In fact, things are much worse now, much more insane, than they were in the sixties. There was at least some attempt to lie convincingly about the reasons for the Vietnam war. The "communist threat" was more convincing than the the blatant lies about non-existent weapons of mass destruction, retaliation for 9/11, and bringing "freedom and democracy" to those unfortunate countries. A very large portion of the population, probably close to one half, disbelieves the government's story of 9/11, and a clear majority does not support the ongoing war (read "military engagement"). There is a huge disjuncture between what people think and what the government and the mainstream media tell them.
If societies were people, the U.S. would have to be locked up with the criminally insane. No person could remain sane harboring so many violently conflicting ideas. Societies are not people, but people do have to live in this insane society. How do they do it? I think there are three alternatives: 1) denial, 2) acceptance, and 3) fighting back. 1) and 2) are themselves psychotic states. How can you deny or accept insanity without becoming part of it?
3) is the only sane, reasonable and honorable alternative. This is what Bramhall did, and what many of us try to do, each in our own way. It is wrong to see her story as negative or her struggle as futile. It is part of the ongoing struggle.
P.S. Dr. Bramhall mentions me as the "translator" of AIDS researcher Jakob Segal, but in fact I only proofread the English edition of his book "AIDS Can Be Conquered" (Verlag Neuer Weg, 2001; "AIDS Ist Besiegbar," 1995). I did translate a couple of shorter pieces, which are accessible on my homepage (mdmorrissey.info) and in my book "Looking for the Enemy." The latter and my more recent book "The Transparent Conspiracy" (on 9/11) are available on Amazon.com.
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Wednesday, August 18, 2010
New Literary Novel Praised by Book Pleasures Reviewer Jennifer Andrew
Title: The Secret of Lies Author: Barbara Forte Abate
ISBN: 978-160844-418-2
Genre: Mainstream Literary Fiction
Originally reviewed for Book Pleasures by Jennifer Andrew
The Secret of Lies is a character driven novel, which gave the reader insight into the internal struggle of the main character. Stephanie Burke, was trying to regain some happiness in her life after being dragged through the lies of her family. This young woman, who had been forced to grow up in a web of lies, was attempting to make a life for herself.
The novel began with a prologue before the first chapter. The reader is drawn into the feelings of the main character. You realize her state of mind, the turmoil she has endured and the emotional struggle that has her torn apart by what has happened in her life. Within the first chapter, the reader is brought to the beginning of how it all happened.
Conflict lies throughout the book with the main character. Stephanie having to grow up with the guilt surrounding her sister, the ties that she had with her Aunt Smyrna, the deception she held from her mother were all issues battling at Stephanie’s psyche. Struggling to overcome her personal demons, she tried to cope and go on with life.
Barbara Forte Abate resolves the conflict and does not leave the readers hanging. She brought us through an exciting story through the efforts of her main character. To the detriment of Stephanie’s own relationship, she tries to solve her problems alone.
The author brought everything to life and made you feel you were a part of the family. You felt empathy when the relationship between Uncle Cal and Aunt Smyrna slowly started to unravel. You saw through the façade of what began to happen with Eleanor and her coming of age. You are drawn into the story and feel sorry for the chain of events that occured in the story.
The characters jump out at you. They are animated and relatable. Barbara does an amazing job in describing the characters; the setting, Stephanie’s hometown, the people she interacts with, her own family and making it all come together in one satisfying story.
The dialogue was enjoyable and true to life. The words were descriptive and continued to propel the story forward. The Secret of Lies was written in Stephanie’s point of view and the story did not sway from her outlook but continued to flow.
Barbara Forte Abate has written a creative, entertaining story in The Secret of Lies, which makes any reader understand the hidden secrets in any family. Your heart goes out to lovable characters and an appreciation for what is important.
-----
The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
ISBN: 978-160844-418-2
Genre: Mainstream Literary Fiction
Originally reviewed for Book Pleasures by Jennifer Andrew
The Secret of Lies is a character driven novel, which gave the reader insight into the internal struggle of the main character. Stephanie Burke, was trying to regain some happiness in her life after being dragged through the lies of her family. This young woman, who had been forced to grow up in a web of lies, was attempting to make a life for herself.
The novel began with a prologue before the first chapter. The reader is drawn into the feelings of the main character. You realize her state of mind, the turmoil she has endured and the emotional struggle that has her torn apart by what has happened in her life. Within the first chapter, the reader is brought to the beginning of how it all happened.
Conflict lies throughout the book with the main character. Stephanie having to grow up with the guilt surrounding her sister, the ties that she had with her Aunt Smyrna, the deception she held from her mother were all issues battling at Stephanie’s psyche. Struggling to overcome her personal demons, she tried to cope and go on with life.
Barbara Forte Abate resolves the conflict and does not leave the readers hanging. She brought us through an exciting story through the efforts of her main character. To the detriment of Stephanie’s own relationship, she tries to solve her problems alone.
The author brought everything to life and made you feel you were a part of the family. You felt empathy when the relationship between Uncle Cal and Aunt Smyrna slowly started to unravel. You saw through the façade of what began to happen with Eleanor and her coming of age. You are drawn into the story and feel sorry for the chain of events that occured in the story.
The characters jump out at you. They are animated and relatable. Barbara does an amazing job in describing the characters; the setting, Stephanie’s hometown, the people she interacts with, her own family and making it all come together in one satisfying story.
The dialogue was enjoyable and true to life. The words were descriptive and continued to propel the story forward. The Secret of Lies was written in Stephanie’s point of view and the story did not sway from her outlook but continued to flow.
Barbara Forte Abate has written a creative, entertaining story in The Secret of Lies, which makes any reader understand the hidden secrets in any family. Your heart goes out to lovable characters and an appreciation for what is important.
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Monday, August 16, 2010
Magical Literary Novel Reviewed
Title: Houdini Pie
Author: Paul Michel
Website: http://www.paulmichel.com/
Genre: Literary Fiction
ISBN: 978-1934733554
Reviewed by Jim Barnes, Editor, IndependentPublisher.com
"This shining debut effort is the closest thing to the Great American Novel I’ve read in some time, with its Depression-Era setting and southern California hopefulness. Our hero comes-of-age amidst bootlegging, baseball, and a boondoggle involving Native American legend, buried treasure and women with shamanic powers. Paul Michel's uncluttered writing style and brilliant descriptive powers transport the reader to a time when Halley’s Comet was overhead and the world held magical possibilities."
Sounds zany like a screwball comedy from the selfsame era. And it is. (Some of the novel’s craziest material is purportedly true, according to Michel in a fascinating Author’s Note.) But what really distinguishes Houdini Pie is that Paul Michel doesn’t write zany. His prose is lean and unfussy, artful in period detail and the construction of believable characters. His third-person narration expertly deploys alternating points of view, which allows us to get up close and personal with an unusually large cast of characters. Here, for instance, is Edith, the psychic, taking in her first baseball game along with her daughter, Isabelle, who’s developed an enthusiasm for the sport (and for the Sheiks’ young pitcher, Hal Gates):
The ballpark was small by ballpark standards; fewer than four thousand seats, but to Edith it seemed enormous. The playing field was a vast carpet of grass so green it seemed painted. The ball players, in gray or white flannel uniforms, stalked its perimeter. Some swung bats at imaginary pitches; others played catch, a few made quick, sprinting forays onto the field, a dozen steps forward then back, retrieved on invisible leashes. Isabelle’s excitement was infectious as she pointed things out—the drink and peanut hawkers beginning their descents into the stands; the grounds crew laying down the white chalk lines, the black-suited umpires clustered behind home plate like a coven of witches.
Author Bio:
Michel is a veteran short story writer with dozens of literary magazine credits over the last twenty-five years. For a first novel, Houdini Pie is structurally ambitious and plotted with a clever eye for withholding information and building suspense. A bootlegging episode gone disastrously wrong early in the novel, for example, becomes clear a hundred pages later. There are incidents in which characters appear in disguise unbeknownst to us until climactic revelations. All in all, Houdini Pie is a triumph of independent small press publishing (kudos to Seattle’s Bennett and Hastings). What’s needed now—while we await another novel from the author—is a collection of Michel’s short stories."
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Author: Paul Michel
Website: http://www.paulmichel.com/
Genre: Literary Fiction
ISBN: 978-1934733554
Reviewed by Jim Barnes, Editor, IndependentPublisher.com
"This shining debut effort is the closest thing to the Great American Novel I’ve read in some time, with its Depression-Era setting and southern California hopefulness. Our hero comes-of-age amidst bootlegging, baseball, and a boondoggle involving Native American legend, buried treasure and women with shamanic powers. Paul Michel's uncluttered writing style and brilliant descriptive powers transport the reader to a time when Halley’s Comet was overhead and the world held magical possibilities."
Sounds zany like a screwball comedy from the selfsame era. And it is. (Some of the novel’s craziest material is purportedly true, according to Michel in a fascinating Author’s Note.) But what really distinguishes Houdini Pie is that Paul Michel doesn’t write zany. His prose is lean and unfussy, artful in period detail and the construction of believable characters. His third-person narration expertly deploys alternating points of view, which allows us to get up close and personal with an unusually large cast of characters. Here, for instance, is Edith, the psychic, taking in her first baseball game along with her daughter, Isabelle, who’s developed an enthusiasm for the sport (and for the Sheiks’ young pitcher, Hal Gates):
The ballpark was small by ballpark standards; fewer than four thousand seats, but to Edith it seemed enormous. The playing field was a vast carpet of grass so green it seemed painted. The ball players, in gray or white flannel uniforms, stalked its perimeter. Some swung bats at imaginary pitches; others played catch, a few made quick, sprinting forays onto the field, a dozen steps forward then back, retrieved on invisible leashes. Isabelle’s excitement was infectious as she pointed things out—the drink and peanut hawkers beginning their descents into the stands; the grounds crew laying down the white chalk lines, the black-suited umpires clustered behind home plate like a coven of witches.
Author Bio:
Michel is a veteran short story writer with dozens of literary magazine credits over the last twenty-five years. For a first novel, Houdini Pie is structurally ambitious and plotted with a clever eye for withholding information and building suspense. A bootlegging episode gone disastrously wrong early in the novel, for example, becomes clear a hundred pages later. There are incidents in which characters appear in disguise unbeknownst to us until climactic revelations. All in all, Houdini Pie is a triumph of independent small press publishing (kudos to Seattle’s Bennett and Hastings). What’s needed now—while we await another novel from the author—is a collection of Michel’s short stories."
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Saturday, August 14, 2010
Military Memoir Top Award Winner Many Times Over
Title: Stand To…A Journey to Manhood
Author: E. Franklin Evans
Published in: Jan 2008
Awards: 2009 Award Winner, Founder’s Award, Mil Writer Soc of America (MWSA)
Silver Medalist, Branson Stars and Flags, 2009
45th Annual Georgia Author of the Year Nominee
See the video trailer at http://www.efranklinevans.com/index.php?page_id=269
Reviewed by W.H. McDonald, Jr. for Military Writer's Society of America
Vietnam veteran and author E. Franklin Evans has captured something very special in his personal war memoir, "Stand To...A Journey to Manhood". We get a good glimpse back into the life and times of a "young man" caught in the vortex of war. The reader is treated to a well written accounting of his experiences surviving both the traumas of battles and people. It is historic, personal and entertaining.
This is one of this decade's "Top 10 Best Memoirs" on the Vietnam War experience. The story is emotionally presented through the eyes of a young Army officer - but it is clearly written with the introspection of a much older author. He looks back at that time and place in his life in an attempt to understand and come to grips with these events. It is truly a journey and one that most readers will find well worth taking with this author.
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The reviewer is the founder of MWSA, Bill MacDonald. The author won the Founder’s Award for 2008. It was also. iUniverse’s Reader’s Choice, Editor’s Choice, and Publisher’s Choice in 2008.
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Author: E. Franklin Evans
Published in: Jan 2008
Awards: 2009 Award Winner, Founder’s Award, Mil Writer Soc of America (MWSA)
Silver Medalist, Branson Stars and Flags, 2009
45th Annual Georgia Author of the Year Nominee
See the video trailer at http://www.efranklinevans.com/index.php?page_id=269
Reviewed by W.H. McDonald, Jr. for Military Writer's Society of America
Vietnam veteran and author E. Franklin Evans has captured something very special in his personal war memoir, "Stand To...A Journey to Manhood". We get a good glimpse back into the life and times of a "young man" caught in the vortex of war. The reader is treated to a well written accounting of his experiences surviving both the traumas of battles and people. It is historic, personal and entertaining.
This is one of this decade's "Top 10 Best Memoirs" on the Vietnam War experience. The story is emotionally presented through the eyes of a young Army officer - but it is clearly written with the introspection of a much older author. He looks back at that time and place in his life in an attempt to understand and come to grips with these events. It is truly a journey and one that most readers will find well worth taking with this author.
----
The reviewer is the founder of MWSA, Bill MacDonald. The author won the Founder’s Award for 2008. It was also. iUniverse’s Reader’s Choice, Editor’s Choice, and Publisher’s Choice in 2008.
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've read. Please see submission guidelines on the left of this page. Reviews and essays are indexed by genre, reviewer names, and review sites. Writers will find the search engine handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using this little green retweet widget :
Friday, August 13, 2010
How To Sue A Telemarketer
How To Sue A Telemarketer
Author's website link – http://www.howtosueatelemarketer.com/
Genre or category – Humor/Legal
ISBN-10: 061533817
ISBN-13: 978-0615338170
About How To Sue A Telemarketer
Telemarketers have been a pain in the general public’s behind for decades. Thanks to their interrupting us day and night, the telephone has been transformed from a convenience, into a source of annoyance and frustration.
How To Sue A Telemarketer: A Manual For Restoring Peace On Earth One Phone Call At A Time is a tongue-in-cheek manual that shows the average citizen how they can fight back against a telemarketer by taking them to small-claims court. Half humorous and half how-to, the book combines comedy with savvy information about the legal system and step-by-step instructions on how consumers can take telemarketers to task.
About Steve Ostrow
A practicing lawyer for 30 years in Cardiff by the Sea, California, Steve also had the unique opportunity to play the celebrity double for Seinfeld’s Cosmo Kramer, originally played by actor Michael Richards, in venues around the country for 10 years. With the additional skills of being a small claim judge and licensed real estate broker, recently Steve turned his attention to writing a tongue in cheek manual on How To Sue A Telemarketer- A Guide to Creating Peace On Earth One Telephone Call At A Time.
Combining his wise guy roots in New York with a laid back California lifestyle, an unusual combination of wit and insight into the legal system is explored in his latest exploit. With insights from a long time yoga practice, the lawyer Steve tries to see a bigger emotional picture of the client’s needs
Topics In How To Sue A Telemarketer by Stephen Ostrow-
• What to do when a telemarketer first calls
• Gathering information to file a civil complaint
• Filing and serving of the complaint
• What to do in court all the way through collection on the judgment
• Everything you need to know about suing telemarketers
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The New Book Review is blogged by Carolyn Howard-Johnson, author of the multi award-winning HowToDoItFrugally series of books for writers. It is a free service offered to those who want to encourage the reading of books they love. That includes authors who want to share their favorite reviews, reviewers who'd like to see their reviews get more exposure, and readers who want to shout out praise of books they've loved. Please see submission guidelines on the left of this page. Reviews and essays are indexed by author names, reviewer names, and review sites. Writers will find the index handy for gleaning the names of small publishers. Find other writer-related blogs at Sharing with Writers and The Frugal, Smart and Tuned-In Editor. As a courtesy to the author, please tweet and retweet this post using the widget below:
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